{"id":12682,"date":"2025-05-22T13:49:46","date_gmt":"2025-05-22T11:49:46","guid":{"rendered":"https:\/\/byzantinistik.geschichte.uni-mainz.de\/?page_id=12682"},"modified":"2025-09-03T12:29:13","modified_gmt":"2025-09-03T10:29:13","slug":"prof-dr-panagiotis-agapitos","status":"publish","type":"page","link":"https:\/\/byzantinistik.geschichte.uni-mainz.de\/en\/prof-dr-panagiotis-agapitos\/","title":{"rendered":"Prof. Dr. Panagiotis Agapitos"},"content":{"rendered":"<jgu-base-pageheader react-props=\"{\n    &quot;items&quot;: [\n        {\n            &quot;box&quot;: {\n                &quot;index&quot;: &quot;Team&quot;,\n                &quot;title&quot;: &quot;Prof. Dr. Panagiotis Agapitos&quot;,\n                &quot;link&quot;: {\n                    &quot;url&quot;: &quot;&quot;,\n                    &quot;title&quot;: &quot;learn more&quot;\n                }\n            },\n            &quot;color&quot;: &quot;default&quot;,\n            &quot;image&quot;: {\n                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&quot;link&quot;: {\n        &quot;url&quot;: null\n    },\n    &quot;align&quot;: &quot;wide&quot;,\n    &quot;showInActions&quot;: false,\n    &quot;allowNesting&quot;: true,\n    &quot;showExpandableContent&quot;: false,\n    &quot;expandableContent&quot;: &quot;&quot;\n}\">\n    \n<\/jgu-base-listitem>\n\n<\/jgu-base-contactcard><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<p><\/p>\n\n\n<jgu-base-image react-props=\"{\n    &quot;align&quot;: &quot;right&quot;,\n    &quot;image&quot;: {\n        &quot;url&quot;: &quot;https:\\\/\\\/cms.zdv.uni-mainz.de\\\/fb07-byzantinistik\\\/wp-content\\\/uploads\\\/sites\\\/516\\\/2025\\\/05\\\/Panagiotis_Portrait-copy-275x300-1.jpg&quot;,\n        &quot;id&quot;: 11145,\n        &quot;credit&quot;: &quot;Prof. Dr. Panagiotis Agapitos&quot;,\n        &quot;title&quot;: &quot;Prof. Dr. Panagiotis Agapitos&quot;,\n        &quot;width&quot;: 275,\n        &quot;height&quot;: 300\n    },\n    &quot;caption&quot;: &quot;Prof. Dr. Panagiotis Agapitos&quot;,\n    &quot;width&quot;: 397,\n    &quot;hasLightbox&quot;: false,\n    &quot;imgWidth&quot;: 0,\n    &quot;link&quot;: {\n        &quot;url&quot;: &quot;&quot;,\n        &quot;target&quot;: &quot;&quot;,\n        &quot;rel&quot;: &quot;&quot;\n    }\n}\" class=\"align-right\">\n    \n<\/jgu-base-image><\/div>\n<\/div>\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<jgu-base-anchornavigation react-props=\"{\n    &quot;align&quot;: &quot;wide&quot;,\n    &quot;theme&quot;: &quot;white&quot;\n}\">\n    \n<\/jgu-base-anchornavigation>\n<div style=\"height:43px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<p>Panagiotis Agapitos studied Byzantine Studies, Byzantine Art History and Musicology at the Ludwig-Maximilians-Universit\u00e4t in Munich (Mag. Art. 1982), Classical and Byzantine Philology at Harvard University (MA 1986, PhD 1990). Between 1992 and 2021, he was Professor of Byzantine Philology at the university of Cyprus. As a visiting professor, he has taught in Berlin, Paris, Rome, Ghent and Stanford. He was a scholarship student of the Alexander-von-Humboldt Stiftung, the Gerda-Henkel Stiftung and the A. G. Leventis Foundation. Between 2016 and 2020, he was a visiting researcher at the Max Planck Institute for European Legal History in Frankfurt. Since October 2021, he has been working as a <a href=\"https:\/\/www.gfk.uni-mainz.de\/panagiotis-agapitos\/\">Gutenberg Fellow<\/a> at the Department of Byzantine Studies at the JGU and the Leibniz Wissenschaftscampus \u201cByzanz zwischen Orient und Okzident\u201d with a five-year <a href=\"https:\/\/www.byzanz-mainz.de\/forschung\/projektdetails\/byzantine-literary-history-in-a-eurasian-context\">project<\/a> funded by the Gutenberg Forschungskolleg.     <\/p>\n\n<p>His research interests focus on textual and literary criticism with a focus on Byzantine rhetoric, poetics, erotic fiction and the representation of death in Byzantine literature. He has published about eighty academic papers, three monographs and several edited volumes as publisher. In addition, he has presented the first critical edition of the 13th-century verse novel \u201cLivistros und Rodamni\u201d (Athens 2006) and its English translation with introduction (Liverpool 2021). For several years he has been working on the methodological problems associated with writing a history of Byzantine literature. He has published three historical crime novels set in 9th-century Byzantium. For a detailed curriculum vitae and list of publications, see <a href=\"https:\/\/ucy.academia.edu\/PanagiotisAgapitos\/CurriculumVitae\">here<\/a>.     <\/p>\n\n<p><\/p>\n\n<div style=\"height:54px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<jgu-base-section react-props=\"{&quot;color&quot;:&quot;light&quot;,&quot;align&quot;:&quot;wide&quot;,&quot;padding&quot;:&quot;medium&quot;}\">\n<div class=\"jgu-bgsection bg bg-light\"><div class=\"content padding-medium\"><div\n\tclass=\"jgu-anchorpoint\"\n\tid=\"Curriculum vitae\"\n\tdata-label=\"Curriculum vitae\"\n\tdata-hide-in-nav=\"false\"\n\ttabindex=\"0\"\n\tdata-initial-scroll=\"true\"\n><\/div>\n\n\n<jgu-base-heading react-props=\"{\n    &quot;index&quot;: &quot;Prof. Dr. Panagiotis Agapitos&quot;,\n    &quot;tags&quot;: {\n        &quot;htmlTag&quot;: &quot;h2&quot;,\n        &quot;classTag&quot;: &quot;&quot;,\n        &quot;tag&quot;: &quot;h2&quot;\n    },\n    &quot;heading&quot;: &quot;Academic curriculum vitae&quot;,\n    &quot;textAlign&quot;: &quot;left&quot;,\n    &quot;anchor&quot;: &quot;&quot;,\n    &quot;color&quot;: &quot;red&quot;\n}\"><\/jgu-base-heading>\n\n\n\n<div style=\"height:42px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<jgu-base-button style=\"display: flex; flex-wrap: wrap; column-gap: 30px; max-width: 100%; flex-direction: row; justify-content: left\">\n  \n<jgu-base-buttonitem react-props=\"{\n    &quot;text&quot;: &quot;Curriculum Vitae as PDF&quot;,\n    &quot;icon&quot;: &quot;external-link-alt-solid&quot;,\n    &quot;link&quot;: {\n        &quot;url&quot;: &quot;https:\\\/\\\/vfg-mz.academia.edu\\\/PanagiotisAgapitos\\\/CurriculumVitae&quot;,\n        &quot;linkTarget&quot;: &quot;&quot;,\n        &quot;rel&quot;: &quot;&quot;,\n        &quot;id&quot;: &quot;https:\\\/\\\/vfg-mz.academia.edu\\\/PanagiotisAgapitos\\\/CurriculumVitae&quot;,\n        &quot;title&quot;: &quot;https:\\\/\\\/vfg-mz.academia.edu\\\/PanagiotisAgapitos\\\/CurriculumVitae&quot;,\n        &quot;type&quot;: &quot;link&quot;,\n        &quot;opensInNewTab&quot;: true\n    },\n    &quot;align&quot;: &quot;left&quot;,\n    &quot;styling&quot;: &quot;primary&quot;,\n    &quot;type&quot;: &quot;default&quot;,\n    &quot;iconBefore&quot;: false,\n    &quot;isSmall&quot;: false,\n    &quot;fullWidth&quot;: false,\n    &quot;className&quot;: &quot;&quot;\n}\"><\/jgu-base-buttonitem>\n\n<\/jgu-base-button>\n\n\n<div style=\"height:42px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div><\/div>\n<\/jgu-base-section><div\n\tclass=\"jgu-anchorpoint\"\n\tid=\"list of publications\"\n\tdata-label=\"List of publications\"\n\tdata-hide-in-nav=\"false\"\n\ttabindex=\"0\"\n\tdata-initial-scroll=\"true\"\n><\/div>\n\n<div style=\"height:70px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<jgu-base-heading react-props=\"{\n    &quot;index&quot;: &quot;Prof. Dr. Panagiotis Agapitos&quot;,\n    &quot;tags&quot;: {\n        &quot;htmlTag&quot;: &quot;h2&quot;,\n        &quot;classTag&quot;: &quot;&quot;,\n        &quot;tag&quot;: &quot;h2&quot;\n    },\n    &quot;heading&quot;: &quot;List of publications&quot;,\n    &quot;textAlign&quot;: &quot;left&quot;,\n    &quot;anchor&quot;: &quot;&quot;,\n    &quot;color&quot;: &quot;red&quot;\n}\"><\/jgu-base-heading>\n<jgu-base-heading react-props=\"{\n    &quot;tags&quot;: {\n        &quot;htmlTag&quot;: &quot;h2&quot;,\n        &quot;classTag&quot;: &quot;h3&quot;,\n        &quot;tag&quot;: &quot;h2.h3&quot;\n    },\n    &quot;heading&quot;: &quot;Books&quot;,\n    &quot;textAlign&quot;: &quot;left&quot;,\n    &quot;anchor&quot;: &quot;&quot;,\n    &quot;index&quot;: &quot;&quot;,\n    &quot;color&quot;: &quot;red&quot;\n}\"><\/jgu-base-heading>\n\n<ul class=\"wp-block-list\">\n<li>Narrative Structure in the Byzantine Vernacular Romances: A Textual and Literary Study of Kallimachos, Belthandros and Libistros [Miscellanea Byzantina Monacensia 34], Munich 1991.<\/li>\n\n\n\n<li>P. A. Agapitos \u2013 O. L. Smith, The Study of Medieval Greek Romance: A Reassessment of Recent Work [Opuscula Graecolatina 33], Copenhagen 1992.<\/li>\n\n\n\n<li>P. A. Agapitos \u2013 K. Hult \u2013 \u2020O. L. Smith, Theodoros Metochites on Philosophical Irony and Greek History: Miscellanea 8 and 93. Edited with introduction, translation and notes, Gothenburg 1996. <\/li>\n\n\n\n<li>\u1f08\u03c6\u03ae\u03b3\u03b7\u03c3\u03b9\u03c2 \u039b\u03b9\u03b2\u03af\u03c3\u03c4\u03c1\u03bf\u03c5 \u03ba\u03b1\u1f76 P\u03bf\u03b4\u03ac\u03bc\u03bd\u03b7\u03c2. K\u03c1\u03b9\u03c4\u03b9\u03ba\u1f74 \u1f14\u03ba\u03b4\u03bf\u03c3\u03b7 \u03c4\u1fc6\u03c2 \u03b4\u03b9\u03b1\u03c3\u03ba\u03b5\u03c5\u1fc6\u03c2 \u00ab\u1f04\u03bb\u03c6\u03b1\u00bb [B\u03c5\u03b6\u03b1\u03bd\u03c4\u03b9\u03bd\u1f74 \u03ba\u03b1\u1f76 N\u03b5\u03bf\u03b5\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u1f74 B\u03b9\u03b2\u03bb\u03b9\u03bf\u03b8\u03ae\u03ba\u03b7 9], Athens 2006 [= The Tale of Livistros and Rodamne: Critical Edition of Redaction \u2018alpha\u2019]. <\/li>\n\n\n\n<li>P. A. Agapitos \u2013 M. Hinterberger \u2013 E. Mitsi, \u0395\u1f30\u03ba\u1f7c\u03bd \u03ba\u03b1\u1f76 \u039b\u03cc\u03b3\u03bf\u03c2: \u1f1c\u03be\u03b9 \u03b2\u03c5\u03b6\u03b1\u03bd\u03c4\u03b9\u03bd\u1f72\u03c2 \u03c0\u03b5\u03c1\u03b9\u03b3\u03c1\u03b1\u03c6\u1f72\u03c2 \u1f14\u03c1\u03b3\u03c9\u03bd \u03c4\u03ad\u03c7\u03bd\u03b7\u03c2. \u0395\u1f30\u03c3\u03b1\u03b3\u03c9\u03b3\u03b9\u03ba\u1f78 \u03b4\u03bf\u03ba\u03af\u03bc\u03b9\u03bf, \u03bc\u03b5\u03c4\u03ac\u03c6\u03c1\u03b1\u03c3\u03b7 \u03ba\u03b1\u1f76 \u03c3\u03c7\u03bf\u03bb\u03b9\u03b1\u03c3\u03bc\u03cc\u03c2, Athens 2006 [= Image and Word: Six Byzantine Descriptions of Works of Art. Introductory essay, translation, commentary]. <\/li>\n\n\n\n<li>\u1f29 \u1f10\u03c1\u03c9\u03c4\u03b9\u03ba\u1f74 \u03b4\u03b9\u03ae\u03b3\u03b7\u03c3\u03b7 \u03c3\u03c4\u1f70 \u03bc\u03b5\u03c3\u03b1\u03b9\u03c9\u03bd\u03b9\u03ba\u1f70 \u03c7\u03c1\u03cc\u03bd\u03b9\u03b1: \u03a0\u03b5\u03c1\u03c3\u03af\u03b1\u2015\u0392\u03c5\u03b6\u03ac\u03bd\u03c4\u03b9\u03bf\u2015\u03a6\u03c1\u03b1\u03b3\u03b3\u03af\u03b1, Athens 2008 [= Tales of Love in Medieval Times: Persia, Byzantium, France].<\/li>\n\n\n\n<li>The Tale of Livistros and Rodamne: A Byzantine Love Romance of the 13th Century. Translation and Introduction [Translated Texts for Byzantinists 10], Liverpool 2021. <\/li>\n\n\n\n<li>\u0392\u03c5\u03b6\u03b1\u03bd\u03c4\u03b9\u03bd\u03bf\u03bb\u03bf\u03b3\u03af\u03b1 \u03ba\u03b1\u1f76 \u039d\u03b1\u03b6\u03b9\u03c3\u03bc\u03cc\u03c2: \u1f49 \u03a6\u03c1\u1f70\u03bd\u03c4\u03c2 \u039d\u03c4\u03ad\u03bb\u03b3\u03ba\u03b5\u03c1, \u1f21 \u1f59\u03c0\u03b7\u03c1\u03b5\u03c3\u03af\u03b1 \u03a1\u03cc\u03b6\u03b5\u03bd\u03bc\u03c0\u03b5\u03c1\u03b3\u03ba, \u1f41 \u1f0c\u03b8\u03c9\u03c2 \u03ba\u03b1\u1f76 \u1f21 \u1f39\u03c3\u03c4\u03bf\u03c1\u03af\u03b1 \u03c4\u1fc6\u03c2 \u0392\u03c5\u03b6\u03b1\u03bd\u03c4\u03b9\u03bd\u1fc6\u03c2 \u03a6\u03b9\u03bb\u03bf\u03bb\u03bf\u03b3\u03af\u03b1\u03c2 (1920-1958), Athens 2023. [Translated and fully revised version with photographs of study no. 79 below.] <\/li>\n<\/ul>\n\n<div style=\"height:51px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<jgu-base-heading react-props=\"{\n    &quot;tags&quot;: {\n        &quot;htmlTag&quot;: &quot;h2&quot;,\n        &quot;classTag&quot;: &quot;h3&quot;,\n        &quot;tag&quot;: &quot;h2.h3&quot;\n    },\n    &quot;heading&quot;: &quot;Edited Volumes&quot;,\n    &quot;textAlign&quot;: &quot;left&quot;,\n    &quot;anchor&quot;: &quot;&quot;,\n    &quot;index&quot;: &quot;&quot;,\n    &quot;color&quot;: &quot;red&quot;\n}\"><\/jgu-base-heading>\n\n<ul class=\"wp-block-list\">\n<li>P. A. Agapitos \u2013 D. R. Reinsch (eds.), Der Roman im Byzanz der Komnenenzeit. Referate des Internazionalen Symposiums an der Freien Universit\u00e4t Berlin (3. bis 6. April 1998) [Meletemata. Beitr\u00e4ge zur Byzantinistik und Neugriechischen Philologie 8], Frankfurt a.M. 2000. <\/li>\n\n\n\n<li>P. A. Agapitos \u2013 M. Pieris (eds.), \u00ab\u03a4\u2019 \u1f00\u03b4\u03cc\u03bd\u03b9\u03bd \u03ba\u03b5\u1fd6\u03bd\u03bf\u03bd \u03c0\u03bf\u1f7a \u03b3\u03bb\u03c5\u03ba\u1f70 \u03b8\u03bb\u03b9\u03b2\u1fb6\u03c4\u03b1\u03b9\u00bb: \u1f1c\u03ba\u03b4\u03bf\u03c3\u03b7 \u03ba\u03b1\u1f76 \u1f11\u03c1\u03bc\u03b7\u03bd\u03b5\u03af\u03b1 \u03c4\u1fc6\u03c2 \u1f11\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u1fc6\u03c2 \u03b4\u03b7\u03bc\u03ce\u03b4\u03bf\u03c5\u03c2 \u03b3\u03c1\u03b1\u03bc\u03bc\u03b1\u03c4\u03b5\u03af\u03b1\u03c2 \u03c3\u03c4\u1f78 \u03c0\u03ad\u03c1\u03b1\u03c3\u03bc\u03b1 \u1f00\u03c0\u1f78 \u03c4\u1f78\u03bd M\u03b5\u03c3\u03b1\u03af\u03c9\u03bd\u03b1 \u03c3\u03c4\u1f74\u03bd \u1f08\u03bd\u03b1\u03b3\u03ad\u03bd\u03bd\u03b7\u03c3\u03b7 (1400-1600). \u03a0\u03c1\u03b1\u03ba\u03c4\u03b9\u03ba\u1f70 \u03c4\u03bf\u1fe6 4\u03bf\u03c5 \u0394\u03b9\u03b5\u03b8\u03bd\u03bf\u1fe6\u03c2 \u03a3\u03c5\u03bd\u03b5\u03b4\u03c1\u03af\u03bf\u03c5 Neograeca Medii Aevi, Herakleion 2002 [= Edition and interpretation of Greek vernacular literature from the Middle Ages to the Renaissance (1400-1600). Acts of the 4th International Conference \u2018Neograeca Medii Aevi\u2019]. <\/li>\n\n\n\n<li>P. Odorico \u2013 P. A. Agapitos (eds.), Pour une \u00abnouvelle\u00bb histoire de la litt\u00e9rature byzantine: probl\u00e8mes, m\u00e9thodes, approches, propositions. HERMENEIA. Actes du colloque international philologique (Nicosie, mai 2000) [Dossiers Byzantins 1], Paris 2002.  <\/li>\n\n\n\n<li>P. Odorico \u2013 P. A. Agapitos (eds.), La vie des saints \u00e0 Byzance: genre litt\u00e9raire ou biographie historique? HERMENEIA. Actes du deuxi\u00e9me colloque international philologique (Paris, juin 2002) [Dossiers Byzantins 4], Paris 2004.  <\/li>\n\n\n\n<li>P. Odorico \u2013 P. A. Agapitos \u2013 M. Hinterberger (eds.), L\u2019\u00e9criture de la memoire: la litt\u00e9rarit\u00e9 de l\u2019historiographie. HERMENEIA. Actes du troisi\u00e9me colloque international philologique (Nicosie, mai 2004) [Dossiers Byzantins 7], Paris 2006.  <\/li>\n\n\n\n<li>P. Odorico \u2013 P. A. Agapitos \u2013 M. Hinterberger (eds.), \u00abDoux rem\u00e8de&#8230;\u00bb: Po\u00e9sie et po\u00e9tique \u00e0 Byzance. HERMENEIA. Actes du quatri\u00e9me colloque international philologique (Nicosie, mai 2004) [Dossiers Byzantins 7], Paris 2009.  <\/li>\n\n\n\n<li>P. A. Agapitos \u2013 L. B. Mortensen (eds.), Medieval Narratives between History and Fiction: From the Center to the Periphery of Europe (c. 1100-1400), Copenhagen 2012.<\/li>\n<\/ul>\n\n<div style=\"height:49px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<jgu-base-heading react-props=\"{\n    &quot;tags&quot;: {\n        &quot;htmlTag&quot;: &quot;h2&quot;,\n        &quot;classTag&quot;: &quot;h3&quot;,\n        &quot;tag&quot;: &quot;h2.h3&quot;\n    },\n    &quot;heading&quot;: &quot;Essays&quot;,\n    &quot;textAlign&quot;: &quot;left&quot;,\n    &quot;anchor&quot;: &quot;&quot;,\n    &quot;index&quot;: &quot;&quot;,\n    &quot;color&quot;: &quot;red&quot;\n}\"><\/jgu-base-heading>\n\n<ul class=\"wp-block-list\">\n<li>A Post-Byzantine Musical Anthology: MS Greek 21 in the Houghton Library, Harvard Library Bulletin 35 (1987 [appeared in 1989]) 150\u2013164.<\/li>\n\n\n\n<li>The \u2018Rhetorical\u2019 Legitimation of Basileios I in the Vita Basilii, in: Abstracts of Papers (15th Annual Byzantine Studies Conference, Univ. of Massachussets at Amherst), Amherst 1989, pp. 11\u201312.<\/li>\n\n\n\n<li>Michael Italikos. Klage auf den Tod seines Rebhuhns, Byzantinische Zeitschrift 82 (1989) 59\u201368. <\/li>\n\n\n\n<li>\u1f29 \u03b5\u1f30\u03ba\u03cc\u03bd\u03b1 \u03c4\u03bf\u1fe6 \u03b1\u1f50\u03c4\u03bf\u03ba\u03c1\u03ac\u03c4\u03bf\u03c1\u03b1 B\u03b1\u03c3\u03b9\u03bb\u03b5\u03af\u03bf\u03c5 A\u0384 \u03c3\u03c4\u1f74 \u03c6\u03b9\u03bb\u03bf\u03bc\u03b1\u03ba\u03b5\u03b4\u03bf\u03bd\u03b9\u03ba\u1f74 \u03b3\u03c1\u03b1\u03bc\u03bc\u03b1\u03c4\u03b5\u03af\u03b1 867\u2013959, Hellenika 40 (1989) 285-322 [= The image of Emperor Basil I in Pro Macedonian literature 867-959].<\/li>\n\n\n\n<li>The Erotic Bath in the Byzantine Vernacular Romance Kallimachos and Chrysorrhoe, Classica et Medievalia 41 (1990) 257\u2013273.<\/li>\n\n\n\n<li>Textkritisches zu Kallimachos und Chrysorrhoe, Hellenika 41 (1990) 33\u201341.<\/li>\n\n\n\n<li>Lemmata \u201cCentaur\u201d, \u201cHerakles\u201d, \u201cOppianos\u201d, \u201cOrpheus\u201d, \u201cOvid\u201d, \u201cPhoenix\u201d, \u201cProteus\u201d, \u201cSatyr\u201d, \u201cVergil\u201d, in: A. P. Kazhdan (ed.), The Oxford Dictionary of Byzantium, New York-Oxford 1991.<\/li>\n\n\n\n<li>E. Mitsi \u2013 P. A. Agapitos, E\u1f30\u03ba\u1f7c\u03bd \u03ba\u03b1\u1f76 \u03bb\u03cc\u03b3\u03bf\u03c2: \u1f21 \u03c0\u03b5\u03c1\u03b9\u03b3\u03c1\u03b1\u03c6\u1f74 \u1f14\u03c1\u03b3\u03c9\u03bd \u03c4\u03ad\u03c7\u03bd\u03b7\u03c2 \u03c3\u03c4\u1f74 \u03b2\u03c5\u03b6\u03b1\u03bd\u03c4\u03b9\u03bd\u1f74 \u03b3\u03c1\u03b1\u03bc\u03bc\u03b1\u03c4\u03b5\u03af\u03b1, Annales d\u2019Esth\u00e9tique 29-30 (1990\/91) 109\u2013126 [= Image and Word: the description of works of art in Byzantine literature].<\/li>\n\n\n\n<li>Libistros und Rhodamne: Vorl\u00e4ufiges zu einer kritischen Ausgabe der Version A, Jahrbuch der \u00d6sterreichischen Byzantinistik 42 (1992) 191\u2013208.<\/li>\n\n\n\n<li>\u1f29 \u1f14\u03bc\u03bc\u03b5\u03c3\u03b7 \u03c0\u03b1\u03c1\u03ac\u03b4\u03bf\u03c3\u03b7 \u03c4\u03bf\u1fe6 \u03b4\u03b7\u03bc\u03ce\u03b4\u03bf\u03c5\u03c2 \u03bc\u03c5\u03b8\u03b9\u03c3\u03c4\u03bf\u03c1\u03ae\u03bc\u03b1\u03c4\u03bf\u03c2 \u039b\u03af\u03b2\u03b9\u03c3\u03c4\u03c1\u03bf\u03c2 \u03ba\u03b1\u1f76 P\u03bf\u03b4\u03ac\u03bc\u03bd\u03b7, Hellenika 42 (1991\/92) 61\u201374 [= The indirect transmission of the vernacular romance of Livistros and Rhodamne].<\/li>\n\n\n\n<li>Byzantine Literature and Greek Philologists in the Nineteenth Century, Classica et Medievalia 43 (1992) 231\u2013260.<\/li>\n\n\n\n<li>\u1f29 \u03c7\u03c1\u03bf\u03bd\u03bf\u03bb\u03bf\u03b3\u03b9\u03ba\u1f74 \u1f00\u03ba\u03bf\u03bb\u03bf\u03c5\u03b8\u03af\u03b1 \u03c4\u1ff6\u03bd \u03bc\u03c5\u03b8\u03b9\u03c3\u03c4\u03bf\u03c1\u03b7\u03bc\u03ac\u03c4\u03c9\u03bd K\u03b1\u03bb\u03bb\u03af\u03bc\u03b1\u03c7\u03bf\u03c2, B\u03ad\u03bb\u03b8\u03b1\u03bd\u03b4\u03c1\u03bf\u03c2 \u03ba\u03b1\u1f76 \u039b\u03af\u03b2\u03b9\u03c3\u03c4\u03c1\u03bf\u03c2 [= The chronological sequence of the romances Kallimachos, Velthandros and Livistros], in: N. M. Panagiotakis (ed.), \u1f08\u03c1\u03c7\u1f72\u03c2 \u03c4\u1fc6\u03c2 \u03bd\u03b5\u03bf\u03b5\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u1fc6\u03c2 \u03bb\u03bf\u03b3\u03bf\u03c4\u03b5\u03c7\u03bd\u03af\u03b1\u03c2. \u03a0\u03c1\u03b1\u03ba\u03c4\u03b9\u03baa \u03c4\u03bf\u1fe6 \u03b4\u03b5\u03c5\u03c4\u03ad\u03c1\u03bf\u03c5 \u03b4\u03b9\u03b5\u03b8\u03bd\u03bf\u1fe6\u03c2 \u03c3\u03c5\u03bd\u03b5\u03b4\u03c1\u03af\u03bf\u03c5 Neograeca Medii Aevi (B\u03b5\u03bd\u03b5\u03c4\u03af\u03b1 1991), Venice 1993, vol. II, pp. 197\u2013234.  <\/li>\n\n\n\n<li>\u1f1d\u03bd\u03b1 \u1f00\u03ba\u03cc\u03bc\u03b7 \u03c3\u03c0\u03ac\u03c1\u03b1\u03b3\u03bc\u03b1 \u03c4\u03bf\u1fe6 \u03bc\u03c5\u03b8\u03b9\u03c3\u03c4\u03bf\u03c1\u03ae\u03bc\u03b1\u03c4\u03bf\u03c2 \u039b\u03af\u03b2\u03b9\u03c3\u03c4\u03c1\u03bf\u03c2 \u03ba\u03b1\u1f76 P\u03bf\u03b4\u03ac\u03bc\u03bd\u03b7: \u1f49 \u03b2\u03b1\u03c4\u03b9\u03ba\u03b1\u03bd\u1f78\u03c2 \u03ba\u03ce\u03b4\u03b9\u03ba\u03b1\u03c2 Barb. gr. 172, Hellenika 43 (1993) 337\u2013359 [= One further fragment of Livistros and Rodamne: the Vatican manuscript Barb. gr. 172].  <\/li>\n\n\n\n<li>P. A. Agapitos \u2013 O. L. Smith, Scribes and Manuscripts of Byzantine Vernacular Romances: Palaeographical Facts and Editorial Implications, Hellenika 44 (1994) 61\u201380.<\/li>\n\n\n\n<li>Byzantium in the Poetry of Kostis Palamas and C. P. Cavafy, K\u03ac\u03bc\u03c0\u03bf\u03c2. Cambridge Papers in Modern Greek 2 (1994) 1\u201320. <\/li>\n\n\n\n<li>T\u03bf\u1fe6 \u1f14\u03c1\u03c9\u03c4\u03b1 \u03ba\u03b1\u1f76 \u03c4\u1ff6\u03bd \u03c0\u03b9\u03ba\u03c1\u1ff6\u03bd \u03b2\u03b1\u03c3\u03ac\u03bd\u03c9\u03bd: M\u03b9\u1f70 \u03b4\u03b9\u03b1\u03ba\u03b5\u03b9\u03bc\u03b5\u03bd\u03b9\u03ba\u1f74 \u1f00\u03bd\u03ac\u03b3\u03bd\u03c9\u03c3\u03b7 \u03c4\u03bf\u1fe6 \u03c4\u03c1\u03af\u03c0\u03c4\u03c5\u03c7\u03bf\u03c5 \u03c0\u03bf\u03b9\u03ae\u03bc\u03b1\u03c4\u03bf\u03c2 \u00ab\u03b4\u03cc\u03c2 \u03bc\u03bf\u03c5 \u1f41\u03c1\u03b9\u03c3\u03bc\u1f78\u03bd\u00bb \u03c4\u03bf\u1fe6 M\u03b9\u03c7\u03ac\u03bb\u03b7 \u1f18\u03c6\u03c4\u03b1\u03b3\u03c9\u03bd\u03af\u03c4\u03b7, Comparaison 7 (1996) 97\u2013117 [= \u2018Of love and bitter torment\u2019: An intertextual reading of the triptych poem \u201cgive me a command\u201d by Michalis Eftagonitis].<\/li>\n\n\n\n<li>\u1f29 \u1f00\u03c6\u03b7\u03b3\u03b7\u03bc\u03b1\u03c4\u03b9\u03ba\u1f74 \u03c3\u03b7\u03bc\u03b1\u03c3\u03af\u03b1 \u03c4\u1fc6\u03c2 \u1f00\u03bd\u03c4\u03b1\u03bb\u03bb\u03b1\u03b3\u1fc6\u03c2 \u1f10\u03c0\u03b9\u03c3\u03c4\u03bf\u03bb\u1ff6\u03bd \u03ba\u03b1\u1f76 \u03c4\u03c1\u03b1\u03b3\u03bf\u03c5\u03b4\u03b9\u1ff6\u03bd \u03c3\u03c4\u1f78 \u03bc\u03c5\u03b8\u03b9\u03c3\u03c4\u03cc\u03c1\u03b7\u03bc\u03b1 \u039b\u03af\u03b2\u03b9\u03c3\u03c4\u03c1\u03bf\u03c2 \u03ba\u03b1\u1f76 P\u03bf\u03b4\u03ac\u03bc\u03bd\u03b7, Thesaurismata 26 (1996) 25\u201342 [= The narrative function of the exchange of letters and songs in Livistros and Rodamne].<\/li>\n\n\n\n<li>\u03a0\u03c1\u1f78\u03c2 \u03bc\u03b9\u1f70 \u03ba\u03c1\u03b9\u03c4\u03b9\u03ba\u1f74 \u1f14\u03ba\u03b4\u03bf\u03c3\u03b7 \u03c4\u03bf\u1fe6 \u03bc\u03c5\u03b8\u03b9\u03c3\u03c4\u03bf\u03c1\u03ae\u03bc\u03b1\u03c4\u03bf\u03c2 \u039b\u03af\u03b2\u03b9\u03c3\u03c4\u03c1\u03bf\u03c2 \u03ba\u03b1\u1f76 P\u03bf\u03b4\u03ac\u03bc\u03bd\u03b7: \u03a0\u03c1\u03bf\u03b2\u03bb\u03ae\u03bc\u03b1\u03c4\u03b1<\/li>\n\n\n\n<li>\u03bc\u03b5\u03b8\u03cc\u03b4\u03bf\u03c5 [= Towards a critical edition of Livistros and Rodamne: Issues of method], in: J. M. Egea \u2013 A. Javier (eds.), Prosa y Verso en Griego Medieval. Rapports of the International Congress \u00abNeograeca Medii Aevi III\u00bb (Vitoria 1994), Amsterdam 1996, pp. 1\u201316. <\/li>\n\n\n\n<li>Kaiser Johannes VII. Palaiologos als Addressat einer Monodie des Theodoros Potamios, Byzantinische Zeitschrift 90 (1997) 1\u20137.<\/li>\n\n\n\n<li>Parisinus Coislinianus 287. \u03a0\u03b5\u03c1\u03b9\u03b3\u03c1\u03b1\u03c6\u1f74 \u03c4\u03bf\u1fe6 \u03c7\u03b5\u03b9\u03c1\u03bf\u03b3\u03c1\u03ac\u03c6\u03bf\u03c5, in: N\u03b5\u03bf\u03c6\u03cd\u03c4\u03bf\u03c5 \u03a0\u03c1\u03b5\u03c3\u03b2\u03c5\u03c4\u03ad\u03c1\u03bf\u03c5 M\u03bf\u03bd\u03b1\u03c7\u03bf\u1fe6 \u03ba\u03b1\u1f76 \u1f18\u03b3\u03ba\u03bb\u03b5\u03af\u03c3\u03c4\u03bf\u03c5 (as below no. 113), pp. xxiii\u2013xxviii. <\/li>\n\n\n\n<li>Teachers, Pupils and Imperial Power in Eleventh-century Byzantium, in: N. Livingstone \u2013 Y. L. Too (eds.), Pedagogy and Power: Rhetorics of Classical Learning [Ideas in Context 50], Cambridge 1998, pp. 170\u2013191.<\/li>\n\n\n\n<li>Narrative, Rhetoric and \u2018Drama\u2019 Rediscovered: Scholars and Poets in Byzantium Interpret Heliodorus, in: R. Hunter (ed.), Studies in Heliodorus [Cambridge Philological Society. Supplementary Volume 21], Cambridge 1998, pp. 125\u2013156.<\/li>\n\n\n\n<li>\u1f49 \u03bb\u03bf\u03b3\u03bf\u03c4\u03b5\u03c7\u03bd\u03b9\u03ba\u1f78\u03c2 \u03b8\u03ac\u03bd\u03b1\u03c4\u03bf\u03c2 \u03c4\u1ff6\u03bd \u1f10\u03c7\u03b8\u03c1\u1ff6\u03bd \u03c3\u03c4\u1f74\u03bd \u00ab\u03b1\u1f50\u03c4\u03bf\u03b2\u03b9\u03bf\u03b3\u03c1\u03b1\u03c6\u03af\u03b1\u00bb \u03c4\u03bf\u1fe6 N\u03b9\u03ba\u03b7\u03c6\u03cc\u03c1\u03bf\u03c5 B\u03bb\u03b5\u03bc\u03bc\u03cd\u03b4\u03b7, Hellenika 48 (1998) 29\u201346 [= The literary death of enemies in the \u2018autobiography\u2019 of Nikephoros Blemmydes].<\/li>\n\n\n\n<li>SO Debate \u201cQuellenforschung and\/or Literary Criticism. Narrative Structures in Byzantine Historical Writings\u201d: A Comment, Symbolae Osloensis 73 (1998) 24\u201329.<\/li>\n\n\n\n<li>Metamorphoseon permulti libri: Byzantine Literature Translated into Modern Greek, in: P. Magdalino \u2013 D. Ricks (eds.), Byzantium and the Modern Greek Identity [Center for Hellenic Studies, King\u2019s College London. Publications 4], London 1998, pp. 63\u201374.<\/li>\n\n\n\n<li>Mischung der Gattungen und \u00dcberschreitung der Gesetze: Die Grabrede des Eustathios von Thessalonike auf Nikolaos Hagiotheodorites, Jahrbuch der \u00d6sterreichischen Byzantinistik 48 (1998) 119\u2013146.<\/li>\n\n\n\n<li>Seneca\u2019s Thyestes and the Poetics of Multiple Transgression, Hellenika 48 (1998) 231\u2013253.<\/li>\n\n\n\n<li>Dreams and the Spatial Aesthetics of Narrative Presentation in Livistros and Rhodamne, Dumbarton Oaks Papers 53 (1999) 111\u2013147.<\/li>\n\n\n\n<li>\u1f39\u03b5\u03c1\u03ce\u03bd\u03c5\u03bc\u03bf\u03c2 T\u03c1\u03b1\u03b3\u03c9\u03b4\u03b9\u03c3\u03c4\u1f74\u03c2 \u1f41 K\u03cd\u03c0\u03c1\u03b9\u03bf\u03c2: \u1f15\u03bd\u03b1\u03c2 \u03bc\u03bf\u03c5\u03c3\u03b9\u03ba\u1f78\u03c2 \u03ba\u03b1\u1f76 \u03b3\u03c1\u03b1\u03c6\u03ad\u03b1\u03c2 \u03c4\u1fc6\u03c2 \u1f45\u03c8\u03b9\u03bc\u03b7\u03c2 \u1f00\u03bd\u03b1\u03b3\u03ad\u03bd\u03bd\u03b7\u03c3\u03b7\u03c2 [= Hieronymos Tragodistes the Cypriot: a musician and scribe of the Late Renaissance], in: N. Oikonomides (ed.), \u1f29 \u1f11\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u1f74 \u03b3\u03c1\u03b1\u03c6\u1f74 \u03ba\u03b1\u03c4\u1f70 \u03c4\u03bf\u1f7a\u03c2 \u03b4\u03ad\u03ba\u03b1\u03c4\u03bf \u03c0\u03ad\u03bc\u03c0\u03c4\u03bf \u03ba\u03b1\u1f76 \u03b4\u03ad\u03ba\u03b1\u03c4\u03bf \u1f15\u03ba\u03c4\u03bf \u03b1\u1f30\u1ff6\u03bd\u03b5\u03c2 [\u1f18\u03b8\u03bd\u03b9\u03ba\u1f78 \u1f3d\u03b4\u03c1\u03c5\u03bc\u03b1 \u1f18\u03c1\u03b5\u03c5\u03bd\u1ff6\u03bd. \u1f38\u03bd\u03c3\u03c4\u03b9\u03c4\u03bf\u1fe6\u03c4\u03bf B\u03c5\u03b6\u03b1\u03bd\u03c4\u03b9\u03bd\u1ff6\u03bd \u1f18\u03c1\u03b5\u03c5\u03bd\u1ff6\u03bd. \u0394\u03b9\u03b5\u03b8\u03bd\u1fc6 \u03a3\u03c5\u03bc\u03c0\u03cc\u03c3\u03b9\u03b1 7], Athens 2000, pp. 283\u2013300.<\/li>\n\n\n\n<li>Der Roman der Komnenenzeit. Stand der Forschung und weitere Perspektiven, in: Agapitos\u2013Reinsch, Der Roman im Byzanz (as above nr. 8), pp. 1\u201318. <\/li>\n\n\n\n<li>Poets and Painters: Theodoros Prodromos\u2019 Dedicatory Verses of his Novel to an Anonymous Caesar, Jahrbuch der \u00d6sterreichischen Byzantinistik 50 (2000) 173\u2013185.<\/li>\n\n\n\n<li>\u1f1c\u03ba\u03b4\u03bf\u03c3\u03b7 \u03ba\u03b1\u1f76 \u1f11\u03c1\u03bc\u03b7\u03bd\u03b5\u03af\u03b1 \u03c4\u1ff6\u03bd \u03ba\u03b5\u03b9\u03bc\u03ad\u03bd\u03c9\u03bd: \u03c3\u03ba\u03ad\u03c8\u03b5\u03b9\u03c2 \u03b3\u03b9\u1f70 \u03c4\u1f74 \u03b4\u03c5\u03bd\u03b1\u03bc\u03b9\u03ba\u1f74 \u03b4\u03b9\u03b1\u03c0\u03bb\u03bf\u03ba\u1f74 \u03c4\u1ff6\u03bd \u03bc\u03b5\u03b8\u03cc\u03b4\u03c9\u03bd [= Editing and intepreting texts: thoughts on a dynamic intertwining of methods], in: H. Eideneier \u2013 U. Moennig \u2013 N. Toufexis (eds.), \u0398\u03b5\u03c9\u03c1\u03af\u03b1 \u03ba\u03b1\u1f76 \u03c0\u03c1\u03ac\u03be\u03b7 \u03c4\u1ff6\u03bd \u1f10\u03ba\u03b4\u03cc\u03c3\u03b5\u03c9\u03bd \u03c4\u1fc6\u03c2 \u1f51\u03c3\u03c4\u03b5\u03c1\u03bf\u03b2\u03c5\u03b6\u03b1\u03bd\u03c4\u03b9\u03bd\u1fc6\u03c2, \u1f00\u03bd\u03b1\u03b3\u03b5\u03bd\u03bd\u03b7\u03c3\u03b9\u03b1\u03ba\u1fc6\u03c2 \u03ba\u03b1\u1f76 \u03bc\u03b5\u03c4\u03b1\u03b2\u03c5\u03b6\u03b1\u03bd\u03c4\u03b9\u03bd\u1fc6\u03c2 \u03b4\u03b7\u03bc\u03ce\u03b4\u03bf\u03c5\u03c2 \u03b3\u03c1\u03b1\u03bc\u03bc\u03b1\u03c4\u03b5\u03af\u03b1\u03c2. \u03a0\u03c1\u03b1\u03ba\u03c4\u03b9\u03ba\u1f70 \u03c4\u03bf\u1fe6 \u03b4\u03b9\u03b5\u03b8\u03bd\u03bf\u1fe6\u03c2 \u03c3\u03c5\u03bc\u03c0\u03bf\u03c3\u03af\u03bf\u03c5 \u1f10\u03c1\u03b3\u03b1\u03c3\u03af\u03b1\u03c2 Neograeca Medii Aevi IVa (\u1f38\u03b1\u03bd\u03bf\u03c5\u03ac\u03c1\u03b9\u03bf\u03c2 1999, \u1f08\u03bc\u03b2\u03bf\u1fe6\u03c1\u03b3\u03bf), Herakleion 2000, pp. 93\u201399. <\/li>\n\n\n\n<li>\u1f29 \u03b8\u03ad\u03c3\u03b7 \u03c4\u1fc6\u03c2 \u03b1\u1f30\u03c3\u03b8\u03b7\u03c4\u03b9\u03ba\u1fc6\u03c2 \u1f00\u03c0\u03bf\u03c4\u03af\u03bc\u03b7\u03c3\u03b7\u03c2 \u03c3\u1f72 \u03bc\u03b9\u1f70 \u00ab\u03bd\u03ad\u03b1\u00bb \u1f31\u03c3\u03c4\u03bf\u03c1\u03af\u03b1 \u03c4\u1fc6\u03c2 \u03b2\u03c5\u03b6\u03b1\u03bd\u03c4\u03b9\u03bd\u1fc6\u03c2 \u03bb\u03bf\u03b3\u03bf\u03c4\u03b5\u03c7\u03bd\u03af\u03b1\u03c2 [= The place of aesthetic appreciation in a \u201cnew\u201d history of Byzantine literature], in: Odorico\u2013Agapitos, Pour une \u00abnouvelle\u00bb histoire (as above no. 10), pp. 185\u2013232.<\/li>\n\n\n\n<li>\u03a0\u03c1\u1f78\u03c2 \u03bc\u03b9\u1f70 \u03ba\u03c1\u03b9\u03c4\u03b9\u03ba\u1f74 \u1f14\u03ba\u03b4\u03bf\u03c3\u03b7 \u03c4\u1ff6\u03bd \u1f10\u03c0\u03b9\u03c4\u03b1\u03c6\u03af\u03c9\u03bd \u03bb\u03cc\u03b3\u03c9\u03bd \u03c4\u03bf\u1fe6 M\u03b9\u03c7\u03b1\u1f74\u03bb \u03a8\u03b5\u03bb\u03bb\u03bf\u1fe6: \u1f21 \u03bc\u03bf\u03bd\u03c9\u03b4\u03af\u03b1 \u201cE\u1f30\u03c2 \u03c4\u1f78\u03bd \u03c4\u03bf\u1fe6 \u1f00\u03ba\u03c4\u03bf\u03c5\u03b1\u03c1\u03af\u03bf\u03c5 \u1f38\u03c9\u03ac\u03bd\u03bd\u03bf\u03c5 \u03ac\u03b4\u03b5\u03bb\u03c6\u03cc\u03bd\u201d (OrFun. 16) [= Towards a critical edition of Michael Psellos\u2019 funeral orations: the monody \u201cOn the brother of aktouarios John (OrFun. 16)], in: \u039b\u03cc\u03b3\u03b9\u03b1 \u03ba\u03b1\u1f76 \u03b4\u03b7\u03bc\u03ce\u03b4\u03b7\u03c2 \u03b3\u03c1\u03b1\u03bc\u03bc\u03b1\u03c4\u03b5\u03af\u03b1 \u03c4\u03bf\u1fe6 \u1f19\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u03bf\u1fe6 M\u03b5\u03c3\u03b1\u03af\u03c9\u03bd\u03b1. \u0386\u03c6\u03b9\u03ad\u03c1\u03c9\u03bc\u03b1 \u03c3\u03c4\u1f78\u03bd E\u1f54\u03b4\u03bf\u03be\u03bf \u0398. T\u03c3\u03bf\u03bb\u03ac\u03ba\u03b7. \u03a0\u03c1\u03b1\u03ba\u03c4\u03b9\u03ba\u1f70 \u03c4\u1fc6\u03c2 \u0398\u0384 \u1f18\u03c0\u03b9\u03c3\u03c4\u03b7\u03bc\u03bf\u03bd\u03b9\u03ba\u1fc6\u03c2 \u03a3\u03c5\u03bd\u03ac\u03bd\u03c4\u03b7\u03c3\u03b7\u03c2 \u03c4\u03bf\u1fe6 T\u03bf\u03bc\u03ad\u03b1 M.N.E.\u03a3. \u03c4\u03bf\u1fe6 \u1f08\u03c1\u03b9\u03c3\u03c4\u03bf\u03c4\u03b5\u03bb\u03b5\u03af\u03bf\u03c5 \u03a0\u03b1\u03bd\u03b5\u03c0\u03b9\u03c3\u03c4\u03b7\u03bc\u03af\u03bf\u03c5 \u0398\u03b5\u03c3\u03c3\u03b1\u03bb\u03bf\u03bd\u03af\u03ba\u03b7\u03c2 (M\u03ac\u03ca\u03bf\u03c2 2000), Thessaloniki 2002, pp. 139\u2013160.    <\/li>\n\n\n\n<li>Ancient Models and Novel Mixtures: The Concept of Genre in Byzantine Funerary Literature from Patriarch Photios to Eustathios of Thessalonike, in: G. Nagy \u2013 A. Stavrakopoulou (eds.), Modern Greek Literature: Critical Essays, New York-London 2003, pp. 5\u201323.<\/li>\n\n\n\n<li>Mortuary Typology in the Lives of Saints: Michael the Synkellos and Stephen the<\/li>\n\n\n\n<li>Younger, in: Odorico\u2013Agapitos, La vie des saints (as above no. 11), pp. 103\u2013135.<\/li>\n\n\n\n<li>\u1f08\u03c0\u1f78 \u03c4\u1f78 \u201c\u03b4\u03c1\u1fb6\u03bc\u03b1\u201d \u03c4\u03bf\u1fe6 \u1f1c\u03c1\u03c9\u03c4\u03b1 \u03c3\u03c4\u1f78 \u201c\u1f00\u03c6\u03ae\u03b3\u03b7\u03bc\u03b1\u03bd\u201d \u03c4\u1fc6\u03c2 \u1f08\u03b3\u03ac\u03c0\u03b7\u03c2: \u03c4\u1f78 \u1f10\u03c1\u03c9\u03c4\u03b9\u03ba\u1f78 \u03bc\u03c5\u03b8\u03b9\u03c3\u03c4\u03cc\u03c1\u03b7\u03bc\u03b1 \u03c3\u03c4\u1f78 B\u03c5\u03b6\u03ac\u03bd\u03c4\u03b9\u03bf (11\u03bf\u03c2-14\u03bf\u03c2 \u03b1\u1f30\u03ce\u03bd\u03b1\u03c2) [= From the \u201cdrama\u201d of Eros to the \u201ctale\u201d of Love: the romance of love in Byzantium (11th-14th centuries), in: Christina G. Angelidi (ed.), T\u1f78 B\u03c5\u03b6\u03ac\u03bd\u03c4\u03b9\u03bf \u1f65\u03c1\u03b9\u03bc\u03bf \u03b3\u03b9\u1f70 \u1f00\u03bb\u03bb\u03b1\u03b3\u03ad\u03c2: \u1f18\u03c0\u03b9\u03bb\u03bf\u03b3\u03ad\u03c2, \u03b5\u1f50\u03b1\u03b9\u03c3\u03b8\u03b7\u03c3\u03af\u03b5\u03c2 \u03ba\u03b1\u1f76 \u03c4\u03c1\u03cc\u03c0\u03bf\u03b9 \u1f14\u03ba\u03c6\u03c1\u03b1\u03c3\u03b7\u03c2 \u1f00\u03c0\u1f78 \u03c4\u1f78\u03bd \u1f11\u03bd\u03b4\u03ad\u03ba\u03b1\u03c4\u03bf \u03c3\u03c4\u1f78\u03bd \u03b4\u03ad\u03ba\u03b1\u03c4\u03bf \u03c0\u03ad\u03bc\u03c0\u03c4\u03bf \u03b1\u1f30\u03ce\u03bd\u03b1 [\u1f18\u03b8\u03bd\u03b9\u03ba\u1f40 \u1f3d\u03b4\u03c1\u03c5\u03bc\u03b1 \u1f18\u03c1\u03b5\u03c5\u03bd\u1ff6\u03bd. \u1f38\u03bd\u03c3\u03c4\u03b9\u03c4\u03bf\u1fe6\u03c4\u03bf B\u03c5\u03b6\u03b1\u03bd\u03c4\u03b9\u03bd\u1ff6\u03bd \u1f18\u03c1\u03b5\u03c5\u03bd\u1ff6\u03bd: \u0394\u03b9\u03b5\u03b8\u03bd\u1fc6 \u03a3\u03c5\u03bc\u03c0\u03cc\u03c3\u03b9\u03b1 13], Athens 2004, pp. 53\u201372.<\/li>\n\n\n\n<li>\u1f08\u03c0\u1f78 \u03c4\u1f74\u03bd \u03a0\u03b5\u03c1\u03c3\u03af\u03b1 \u03c3\u03c4\u1f74\u03bd \u03a0\u03c1\u03bf\u03b2\u03b7\u03b3\u03b3\u03af\u03b1: \u1f10\u03c1\u03c9\u03c4\u03b9\u03ba\u1f72\u03c2 \u03b4\u03b9\u03b7\u03b3\u03ae\u03c3\u03b5\u03b9\u03c2 \u03c3\u03c4\u1f78 \u1f55\u03c3\u03c4\u03b5\u03c1\u03bf B\u03c5\u03b6\u03ac\u03bd\u03c4\u03b9\u03bf [= From Persia to the Provence: tales of love in late Byzantium], in: E. Grammatikopoulou (ed.), T\u1f78 B\u03c5\u03b6\u03ac\u03bd\u03c4\u03b9\u03bf \u03ba\u03b1\u1f76 \u03bf\u1f31 \u1f00\u03c0\u03b1\u03c1\u03c7\u1f72\u03c2 \u03c4\u1fc6\u03c2 E\u1f50\u03c1\u03ce\u03c0\u03b7\u03c2 [\u1f18\u03b8\u03bd\u03b9\u03ba\u1f78 \u1f3d\u03b4\u03c1\u03c5\u03bc\u03b1 \u1f18\u03c1\u03b5\u03c5\u03bd\u1ff6\u03bd. \u1f18\u03c0\u03b9\u03c3\u03c4\u03ae\u03bc\u03b7\u03c2 K\u03bf\u03b9\u03bd\u03c9\u03bd\u03af\u03b1 34], Athens 2004, pp. 119\u2013153.<\/li>\n\n\n\n<li>Zwischen Grauen und Wonne: Das Bad in der byzantinischen Literatur, Jahrbuch der \u00d6sterreichischen Byzantinistik 54 (2004) 19\u201337.<\/li>\n\n\n\n<li>Genre, Structure and Poetics in the Byzantine Vernacular Romances of Love, Symbolae Osloenses 79 (2004) 7\u201354 and 82\u2013101 (on pp. 54\u201382 comments by C. Cupane, E. Jeffreys, M. Hinterberger, M. Lauxtermann, U. Moennig, I. Nilsson, P. Odorico and S. Papaioannou).<\/li>\n\n\n\n<li>Writing, Reading and Reciting (in) Byzantine Erotic Fiction, in: B. Mondrain (ed.), Lire et \u00e9crire \u00e0 Byzance [Centre de recherche d\u2019Histoire et Civilisation de Byzance. Monographies 19], Paris 2006, pp. 125\u2013176.<\/li>\n\n\n\n<li>Blemmydes\u2013Laskaris\u2013Philes, in: M. Hinterberger \u2013 E. Schiffer (eds.), Byzantin-ische Sprachkunst. Studien zur byzantinischen Literatur gewidmet Wolfram H\u00f6randner zum 65. Geburtstag [Byzantinisches Archiv 20], Berlin-New York 2007, pp. 1\u201319 (and Plates I\u2013II). <\/li>\n\n\n\n<li>Literary Criticism, in: E. Jeffreys \u2013 J. Haldon \u2013 R. Cormack (eds.), The Oxford Handbook of Byzantine Studies, Oxford 2008, pp. 77\u201386.<\/li>\n\n\n\n<li>Public and Private Death in Psellos: Maria Skleraina and Styliane Psellaina, Byzantinische Zeitschrift 101 (2008) 555\u2013607.<\/li>\n\n\n\n<li>From Persia to the Provence: Tales of Love in Byzantium and Beyond, Acme: Annali della Facolt\u00e0 di Lettere e Filosofia dell&#8217;Universit\u00e0 degli Studi di Milano 63 (2010) 153\u2013169 [short version of no. 6].<\/li>\n\n\n\n<li>In Rhomaian, Frankish and Persian Lands: Fiction and Fictionality in Byzantium and Beyond, in: Agapitos\u2013Mortensen (as above no. 13), pp. 235\u2013367.<\/li>\n\n\n\n<li>The \u2018Court of Amorous Dominion\u2019 and the \u2018Gate of Love\u2019: Rituals of Empire in a Byzantine Romance of the 13th Century, in: A. Beihammer \u2013 S. Constantinou \u2013 M. Parani (eds.), Royal Ceremonies and Rituals of Power in the The Medieval Mediterranean: Comparative Perspectives [The Medieval Mediterranean 91] Leiden 2013, pp. 389\u2013416.<\/li>\n\n\n\n<li>Grammar, Genre and Patronage in the Twelfth Century: A Scientific Paradigm and its Implications, Jahrbuch der \u00d6sterreichischen Byzantinistik 64 (2014) 1\u201322.<\/li>\n\n\n\n<li>Anna Komnene and the Politics of Schedographic Training and Colloquial Discourse, Nea Rhome 10 (2013) [2014] 89\u2013107.<\/li>\n\n\n\n<li>Karl Krumbacher and the History of Byzantine Literature, Byzantinische Zeitschrift 108 (2015) 1\u201352.<\/li>\n\n\n\n<li>Contesting Conceptual Boundaries: Byzantine Literature and its History, Interfaces\u2014 Medieval European Literatures 1 (2015) 62\u201391.<\/li>\n\n\n\n<li>Learning to Read and Write a Schedos: The Dictionary of Par. gr. 400, in P. Odorico -S. Efthymiadis &#8211; I. D. 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Guth (eds.), Crime Fiction in and around the Eastern Mediterranean [M\u00eez\u00e2n: Studien zur Literatur in der islamischen Welt 23], Wiesbaden 2016, pp. 93\u2013 102. <\/li>\n\n\n\n<li>\u2018Words Filled with Tears\u2019: Amorous Discourse in the Palaiologan Romances, in: M. Alexiou \u2013 D. Cairns (eds.), Greek Tears and Laughter: Late Antiquity, Byzantium and Beyond [Edinburgh Leventis Classical Studies, 8], Edinburgh 2017, pp. 353\u2013374.<\/li>\n\n\n\n<li>John Tzetzes and the Blemish Examiners: A Byzantine Teacher on Schedography, Everyday Language and Writerly Disposition, Medioevo Greco 17 (2017) 1\u201357.  <\/li>\n\n\n\n<li>Dangerous Literary Liaisons: Byzantium and Modern Hellenism, Byzantina 35 (2017) 33\u2013126.<\/li>\n\n\n\n<li>P. A. Agapitos \u2013 D. Angelov, Six Essays by Theodore II Laskaris in Vindobonensis gr. 321: Edition, Translation, Analysis, Jahrbuch der \u00d6sterreichischen Byzantinistik 68 (2018) 39\u201375. <\/li>\n\n\n\n<li>The Word as Animated Image: Inscribed Texts in the Frescoes of the Church of the Virgin Mary at Laghouder\u00e1, Cyprus (AD 1192), in: A. Papageorghiou \u2013 C. Bakirtzes C. Hadjichristodoulou (eds.), The Church of the Panagia tou Arakos, Nicosia 2018, pp. 89\u201396.<\/li>\n\n\n\n<li>The Bookseller\u2019s Parrot: A Fictional Afterword, in: A. Goldwyn \u2013 I. Nilsson (eds.), A Critical Guide to Medieval Greek Romance, Cambridge 2019, pp. 321\u2013339.<\/li>\n\n\n\n<li>From Attempted Update to Communicative Code: Johannes Tzetzes and the Epilogue of his Theogony for the sebastokratorissa Eirene, in: A. K\u00fclzer (ed.), Herbert Hunger and the Vienna School of Byzantine Studies: Retrospective and Outlook, Vienna-Novisad 2019, pp. 271\u2013290.<\/li>\n\n\n\n<li>Franz D\u00f6lger and the Hieratic Model of Byzantine Literature, Byzantinische Zeitschrift 112 (2019) 707\u2013780.<\/li>\n\n\n\n<li>A. Andreou \u2013 P. A. Agapitos, Of Masters and Servants: Hybrid Power in Theodore Laskaris\u2019 Response to Mouzalon and in the Tale of Livistros and Rodamne, Interfaces\u2014Journal of Medieval European Literatures 6 (2019) 96\u2013129.<\/li>\n\n\n\n<li>From Document to Literary Work: Philological-Literary Notes on the New Edition of the Acts of Nicaenum II by Erich Lamberz, in: W. Brandes \u2013 A. HasseUngeheuer \u2013 H. Leppin (eds.), Councils and Canon Law in Late Antiquity and the Early Middle Ages: Aspects of Conciliar Decision-Making [Forschungen zur byzantinischen Rechtsgeschichte, N.F. 2], Boston-Berlin 2020, pp. 263\u2013278.<\/li>\n\n\n\n<li>The Insignificance of 1204 and 1453 for the History of Byzantine Literature, Medioevo Greco 20 (2020) 1\u201356.<\/li>\n\n\n\n<li>Literature and Education in Nicaea and its Legacy: An Interpretive Synthesis, Medioevo Greco 21 (2021) 1\u201337.<\/li>\n\n\n\n<li>Visually Demolished and Textually Reconstructed: Performing the Middle Ages in Contemporary Crime Fiction, in: L. James \u2013 O. Nicholson \u2013 R. Scott (eds.), After the Text: Byzantine Enquiries in Honour of Margaret Mullett [Birmingham Byzantine and Ottoman Studies, 32], London 2021, pp. 41\u201355.<\/li>\n\n\n\n<li>Greek, in: M. Chinka \u2013 C. Young (eds.), Literary Beginnings in the European Middle Ages, Cambridge 2022, pp. 255\u2013275.<\/li>\n\n\n\n<li>The Politics and Practices of Commentary in Komnenian Byzantium, in: B. van den Berg \u2013 D. Manolova \u2013 P. Marciniak (eds), Byzantine Commentaries on Ancient Greek Texts: 12th \u2013 15th Centuries, Cambridge 2022, pp. 41\u201360.<\/li>\n\n\n\n<li>\u2018Middle-Class\u2019 Ideology of Education and Language, and the \u2018Bookish\u2019 Identity of John Tzetzes, in: I. Stouraitis (ed.), Ideologies and Identities in the Medieval East Roman World [Edinburgh Byzantine Studies, 2], Edinburgh 2022, 146\u2013163.<\/li>\n\n\n\n<li>Afterword: Forging Textual Realities, or How to Write a \u2018Byzantine Mystery Story\u2019, in: M. Kulhankova \u2013 P. Marciniak (eds.), Byzantium in the Popular Imagination: The Modern reception of the Byzantine Empire, London\u2013New York 2023, 264\u2013271.<\/li>\n\n\n\n<li>The Periodization of Byzantine Literature: From a Historical to a Literary Model, in: A. Riehle \u2013 I. Grimm-Stadelmann (eds.), Anekdota Byzantina. Studies for Albrecht Berger on his 65th Birthday, Berlin\u2013Boston 2023, 1\u201320. <\/li>\n\n\n\n<li>\u2018These Devices are the Writer\u2019s Own Technique\u2019: Eustathios of Thessalonike and the Redefinition of Rhetorical Genres, in: L. Silvano \u2013 A. M. Taragna \u2013 P. Varalda (eds.), Studies in Honour of Enrico Maltese, Ghent 2023, 63\u201397.<\/li>\n\n\n\n<li>\u201cThe Force of Discourses:\u201d Literary Production in the Komnenian Era, in: B. van den Berg \u2013 N. Zagklas (eds.), Byzantine Poetry in the Long Twelfth Century, Cambridge \u2014 forthcoming. <\/li>\n\n\n\n<li>The Poetics of Exoticism: The \u2018Greek\u2019 Clig\u00e8s and the \u2018Latin\u2019 Livistros (in preparation).<\/li>\n\n\n\n<li>Byzantine Literature Within a Medieval Eurasian Literary Supersystem: Amorous Tales and the Practice of Narrative Fiction (in preparation).<\/li>\n\n\n\n<li>Authorial Self-portraits in Komnenian Byzantium: Neophytos the Recluse and his Catechetichal Visions (in preparation).<\/li>\n<\/ul>\n\n<div style=\"height:75px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<jgu-base-section react-props=\"{&quot;color&quot;:&quot;light&quot;,&quot;align&quot;:&quot;wide&quot;,&quot;padding&quot;:&quot;medium&quot;}\">\n<div class=\"jgu-bgsection bg bg-light\"><div class=\"content padding-medium\"><div\n\tclass=\"jgu-anchorpoint\"\n\tid=\"research-projects-and-focus\"\n\tdata-label=\"Research projects and research focus\"\n\tdata-hide-in-nav=\"false\"\n\ttabindex=\"0\"\n\tdata-initial-scroll=\"true\"\n><\/div>\n\n\n<jgu-base-heading react-props=\"{\n    &quot;index&quot;: &quot;Prof. Dr. Panagiotis Agapitos&quot;,\n    &quot;tags&quot;: {\n        &quot;htmlTag&quot;: &quot;h2&quot;,\n        &quot;classTag&quot;: &quot;&quot;,\n        &quot;tag&quot;: &quot;h2&quot;\n    },\n    &quot;heading&quot;: &quot;Research projects and research focus&quot;,\n    &quot;textAlign&quot;: &quot;left&quot;,\n    &quot;anchor&quot;: &quot;&quot;,\n    &quot;color&quot;: &quot;red&quot;\n}\"><\/jgu-base-heading>\n\n\n\n<div style=\"height:52px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<jgu-base-heading react-props=\"{\n    &quot;index&quot;: &quot;Project&quot;,\n    &quot;tags&quot;: {\n        &quot;htmlTag&quot;: &quot;h2&quot;,\n        &quot;classTag&quot;: &quot;h3&quot;,\n        &quot;tag&quot;: &quot;h2.h3&quot;\n    },\n    &quot;heading&quot;: &quot;Byzantine Literary History in a Eurasian Context&quot;,\n    &quot;textAlign&quot;: &quot;left&quot;,\n    &quot;anchor&quot;: &quot;&quot;,\n    &quot;color&quot;: &quot;red&quot;\n}\"><\/jgu-base-heading>\n\n\n<jgu-base-image react-props=\"{\n    &quot;align&quot;: &quot;left&quot;,\n    &quot;image&quot;: {\n        &quot;url&quot;: &quot;https:\\\/\\\/cms.zdv.uni-mainz.de\\\/fb07-byzantinistik\\\/wp-content\\\/uploads\\\/sites\\\/516\\\/2025\\\/05\\\/Apapitos-Projekt-Bild-1.png&quot;,\n        &quot;id&quot;: 11246,\n        &quot;title&quot;: &quot;Apapitos Projekt Bild 1&quot;,\n        &quot;width&quot;: 300,\n        &quot;height&quot;: 92\n    },\n    &quot;width&quot;: 593,\n    &quot;hasLightbox&quot;: false,\n    &quot;caption&quot;: &quot;&quot;,\n    &quot;imgWidth&quot;: 0,\n    &quot;link&quot;: {\n        &quot;url&quot;: &quot;&quot;,\n        &quot;target&quot;: &quot;&quot;,\n        &quot;rel&quot;: &quot;&quot;\n    }\n}\" class=\"align-left\">\n    \n<\/jgu-base-image>\n\n\n<p>The Gutenberg Project has as its main goal to present a new narrative account of literary production in Byzantium from the mid-11th century to the end of the 15th century, but at the same time to establish the methodological prerequisites to also present textual production from the 4th to the mid-11th century.<\/p>\n\n\n\n<p>Often Byzantine literature is defined as \u201cthe textual production written in Greek between the 4th and the 15th centuries.\u201d It is not so simple, however, because (1.) within the Byzantine Empire, texts were written in other languages, but Greek texts were also written outside the Empire; (2.) Byzantine texts were separated by older scholarship into an archaizing and a vernacular group according to the supposed linguistic idiom in which they were written; (3.) Byzantine texts were divided according to their subject matter into secular, religious, and scientific writing and were also treated separately; (4.) not all scholars agree that the Byzantine Empire began in the early 4th century, since for several decades Late Antiquity has claimed \u201cEarly Byzantium\u201d as a new historical period; (5.) the so-called vernacular texts from the 12th to the 15th centuries were indiscriminately assigned to Modern Greek literature. <\/p>\n\n\n<jgu-base-image react-props=\"{\n    &quot;align&quot;: &quot;right&quot;,\n    &quot;image&quot;: {\n        &quot;url&quot;: &quot;https:\\\/\\\/cms.zdv.uni-mainz.de\\\/fb07-byzantinistik\\\/wp-content\\\/uploads\\\/sites\\\/516\\\/2025\\\/05\\\/Agapitos-Projekt-Bild-2.png&quot;,\n        &quot;id&quot;: 11249,\n        &quot;title&quot;: &quot;Agapitos Projekt Bild 2&quot;,\n        &quot;width&quot;: 300,\n        &quot;height&quot;: 300,\n        &quot;srcset&quot;: &quot;https:\\\/\\\/cms.zdv.uni-mainz.de\\\/fb07-byzantinistik\\\/wp-content\\\/uploads\\\/sites\\\/516\\\/2025\\\/05\\\/Agapitos-Projekt-Bild-2.png 300w, https:\\\/\\\/cms.zdv.uni-mainz.de\\\/fb07-byzantinistik\\\/wp-content\\\/uploads\\\/sites\\\/516\\\/2025\\\/05\\\/Agapitos-Projekt-Bild-2-150x150.png 150w&quot;\n    },\n    &quot;width&quot;: 440,\n    &quot;hasLightbox&quot;: false,\n    &quot;caption&quot;: &quot;&quot;,\n    &quot;imgWidth&quot;: 0,\n    &quot;link&quot;: {\n        &quot;url&quot;: &quot;&quot;,\n        &quot;target&quot;: &quot;&quot;,\n        &quot;rel&quot;: &quot;&quot;\n    }\n}\" class=\"align-right\">\n    \n<\/jgu-base-image>\n\n\n<p>Such divisions, however, do not correspond to actual practice, for example, when authors from quite different social backgrounds composed secular, religious, and scientific texts in both archaic and vernacular idioms; when one finds several of these groups united in one and the same manuscript; when scholars and teachers of rhetoric from different periods regard, on the one hand, \u201clate antique\u201d texts as a central part of their literary heritage and, on the other, also compose vernacular texts.<\/p>\n\n\n\n<p>Accordingly, the project will develop an innovative \u201cliterary periodization model\u201d to holistically interpret Byzantine textual production. This approach will be supported by a selection of literary theories (post-structuralist narratology, semiotics, aesthetics, reception and performance theory) and historical approaches (contextualization, socio-economic history, gender and postcolonial studies). In this way, Byzantine texts are read within a \u201chorizontal\u201d axis of open interpretation (i.e., they are seen as dynamic carriers of meaning within their specific social, cultural, and political environments) rather than understood exclusively within a \u201cvertical\u201d axis of closed taxonomy (i.e., they are not seen as examples of fixed genres in an ahistorical sequence of abstract variations). In this way, the boundaries imposed by older research will be removed and Byzantine textual production will be understood as part of a broad \u201cmedieval Eurasian literary system,\u201d wherein texts written in Greek will be read in their interrelationships with texts written in Latin, Hebrew, Syriac, Arabic, and Old Slavonic. In this way, it will be possible to bring Byzantine literature more into the center of international medievalist research and literary studies.    <\/p>\n\n\n\n<p>Within the project, three networking activities will be organized for the LWC: an international symposium on \u201cByzantine literary history and theory: the Eurasian context,\u201d an international workshop on \u201cGenre, taxonomy and the materiality of Byzantine Texts,\u201d and a series of four guest lectures on specific topics, such as the place of scientific literature within a Byzantine literary history, or the problematic division between religious and secular writings. In this way, the research program of the LWC is substantially complemented by the presence of philology and literary history. <\/p>\n<\/div><\/div>\n<\/jgu-base-section>\n<div style=\"height:90px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n    <div style=\"display: none\">\n        \n    <\/div>","protected":false},"excerpt":{"rendered":"<p>Panagiotis Agapitos studied Byzantine Studies, Byzantine Art History and Musicology at the Ludwig-Maximilians-Universit\u00e4t in Munich (Mag. Art. 1982), Classical and Byzantine Philology at Harvard University (MA 1986, PhD 1990). Between 1992 and 2021, he was Professor of Byzantine Philology at the university of Cyprus. As a visiting professor, he has taught in Berlin, Paris, Rome, &hellip; <a href=\"https:\/\/byzantinistik.geschichte.uni-mainz.de\/en\/prof-dr-panagiotis-agapitos\/\">Continued<\/a><\/p>\n","protected":false},"author":1149,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-12682","page","type-page","status-publish","hentry"],"content_raw":"<!-- wp:jgu\/pageheader {\"items\":[{\"box\":{\"index\":\"Team\",\"title\":\"Prof. Dr. Panagiotis Agapitos\",\"link\":{\"url\":\"\",\"title\":\"learn more\"}},\"color\":\"default\",\"image\":{\"url\":\"\"},\"imgCredit\":\"\",\"useVideo\":false,\"video\":false}],\"type\":\"border\"} \/--><!-- wp:columns -->\n<div class=\"wp-block-columns\"><!-- wp:column {\"width\":\"66.66%\"} -->\n<div class=\"wp-block-column\" style=\"flex-basis:66.66%\"><!-- wp:jgu\/contact-card {\"name\":\"Prof. Dr. Panagiotis Agapitos\",\"avatar\":{\"id\":null,\"url\":null,\"credit\":\"\"}} -->\n<!-- wp:jgu\/list-item {\"icon\":\"address-card-solid\",\"title\":\"Gutenberg Fellow (Byzantine Studies research unit, Leibniz Science Campus \u201cByzantium between Orient and Occident\\u0022)\",\"uuid\":\"1747585139465\"} \/-->\n\n<!-- wp:jgu\/list-item {\"icon\":\"university-solid\",\"title\":\"Byzantine Studies\",\"uuid\":\"1747588822300\"} \/-->\n\n<!-- wp:jgu\/list-item {\"icon\":\"envelope-solid\",\"title\":\"pagapito@uni-mainz.de\",\"uuid\":\"1747588851392\"} \/-->\n\n<!-- wp:jgu\/list-item {\"icon\":\"calendar-week-solid\",\"title\":\"\\u003cstrong\\u003eConsultation hour:\\u003c\/strong\\u003e\\u003cbr\\u003eby appointment \",\"uuid\":\"1747588868887\",\"link\":{\"url\":null}} \/-->\n<!-- \/wp:jgu\/contact-card --><\/div>\n<!-- \/wp:column -->\n\n<!-- wp:column {\"width\":\"33.33%\"} -->\n<div class=\"wp-block-column\" style=\"flex-basis:33.33%\"><!-- wp:paragraph -->\n<p><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:jgu\/image {\"align\":\"right\",\"image\":{\"url\":null,\"id\":11145},\"caption\":\"Prof. Dr. Panagiotis Agapitos\",\"width\":397} \/--><\/div>\n<!-- \/wp:column --><\/div>\n<!-- \/wp:columns --><!-- wp:spacer {\"height\":\"50px\"} -->\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<!-- \/wp:spacer --><!-- wp:jgu\/anchornavigation \/--><!-- wp:spacer {\"height\":\"43px\"} -->\n<div style=\"height:43px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<!-- \/wp:spacer --><!-- wp:paragraph {\"translatedWithWPMLTM\":\"1\"} -->\n<p>Panagiotis Agapitos studied Byzantine Studies, Byzantine Art History and Musicology at the Ludwig-Maximilians-Universit\u00e4t in Munich (Mag. Art. 1982), Classical and Byzantine Philology at Harvard University (MA 1986, PhD 1990). Between 1992 and 2021, he was Professor of Byzantine Philology at the university of Cyprus. As a visiting professor, he has taught in Berlin, Paris, Rome, Ghent and Stanford. He was a scholarship student of the Alexander-von-Humboldt Stiftung, the Gerda-Henkel Stiftung and the A. G. Leventis Foundation. Between 2016 and 2020, he was a visiting researcher at the Max Planck Institute for European Legal History in Frankfurt. Since October 2021, he has been working as a <a href=\"https:\/\/www.gfk.uni-mainz.de\/panagiotis-agapitos\/\">Gutenberg Fellow<\/a> at the Department of Byzantine Studies at the JGU and the Leibniz Wissenschaftscampus \u201cByzanz zwischen Orient und Okzident\u201d with a five-year <a href=\"https:\/\/www.byzanz-mainz.de\/forschung\/projektdetails\/byzantine-literary-history-in-a-eurasian-context\">project<\/a> funded by the Gutenberg Forschungskolleg.     <\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph {\"translatedWithWPMLTM\":\"1\"} -->\n<p>His research interests focus on textual and literary criticism with a focus on Byzantine rhetoric, poetics, erotic fiction and the representation of death in Byzantine literature. He has published about eighty academic papers, three monographs and several edited volumes as publisher. In addition, he has presented the first critical edition of the 13th-century verse novel \u201cLivistros und Rodamni\u201d (Athens 2006) and its English translation with introduction (Liverpool 2021). For several years he has been working on the methodological problems associated with writing a history of Byzantine literature. He has published three historical crime novels set in 9th-century Byzantium. For a detailed curriculum vitae and list of publications, see <a href=\"https:\/\/ucy.academia.edu\/PanagiotisAgapitos\/CurriculumVitae\">here<\/a>.     <\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p><\/p>\n<!-- \/wp:paragraph --><!-- wp:spacer {\"height\":\"54px\"} -->\n<div style=\"height:54px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<!-- \/wp:spacer --><!-- wp:jgu\/section {\"color\": \"light\"} -->\n<div class=\"jgu-bgsection bg bg-light\"><div class=\"content padding-medium\"><!-- wp:jgu\/anchorpoint {\"title\":\"Curriculum vitae\",\"slug\":\"Curriculum vitae\"} \/-->\n\n<!-- wp:jgu\/heading {\"index\":\"Prof. Dr. Panagiotis Agapitos\",\"tags\":{\"htmlTag\":\"h2\",\"classTag\":\"\",\"tag\":\"h2\"},\"heading\":\"Academic curriculum vitae\"} \/-->\n\n<!-- wp:spacer {\"height\":\"42px\"} -->\n<div style=\"height:42px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<!-- \/wp:spacer -->\n\n<!-- wp:jgu\/button -->\n<!-- wp:jgu\/button-item {\"text\":\"Curriculum Vitae as PDF\",\"icon\":\"external-link-alt-solid\",\"link\":{\"url\":\"https:\/\/vfg-mz.academia.edu\/PanagiotisAgapitos\/CurriculumVitae\",\"linkTarget\":\"\",\"rel\":\"\",\"id\":\"https:\/\/vfg-mz.academia.edu\/PanagiotisAgapitos\/CurriculumVitae\",\"title\":\"https:\/\/vfg-mz.academia.edu\/PanagiotisAgapitos\/CurriculumVitae\",\"type\":\"link\",\"opensInNewTab\":true}} \/-->\n<!-- \/wp:jgu\/button -->\n\n<!-- wp:spacer {\"height\":\"42px\"} -->\n<div style=\"height:42px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<!-- \/wp:spacer --><\/div><\/div>\n<!-- \/wp:jgu\/section --><!-- wp:jgu\/anchorpoint {\"title\":\"List of publications\",\"slug\":\"list of publications\"} \/--><!-- wp:spacer {\"height\":\"70px\"} -->\n<div style=\"height:70px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<!-- \/wp:spacer --><!-- wp:jgu\/heading {\"index\":\"Prof. Dr. Panagiotis Agapitos\",\"tags\":{\"htmlTag\":\"h2\",\"classTag\":\"\",\"tag\":\"h2\"},\"heading\":\"List of publications\"} \/--><!-- wp:jgu\/heading {\"tags\":{\"htmlTag\":\"h2\",\"classTag\":\"h3\",\"tag\":\"h2.h3\"},\"heading\":\"Books\"} \/--><!-- wp:list -->\n<ul><!-- wp:list-item -->\n<li>Narrative Structure in the Byzantine Vernacular Romances: A Textual and Literary Study of Kallimachos, Belthandros and Libistros [Miscellanea Byzantina Monacensia 34], Munich 1991.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>P. A. Agapitos \u2013 O. L. Smith, The Study of Medieval Greek Romance: A Reassessment of Recent Work [Opuscula Graecolatina 33], Copenhagen 1992.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item {\"translatedWithWPMLTM\":\"1\"} -->\n<li>P. A. Agapitos \u2013 K. Hult \u2013 \u2020O. L. Smith, Theodoros Metochites on Philosophical Irony and Greek History: Miscellanea 8 and 93. Edited with introduction, translation and notes, Gothenburg 1996. <\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item {\"translatedWithWPMLTM\":\"1\"} -->\n<li>\u1f08\u03c6\u03ae\u03b3\u03b7\u03c3\u03b9\u03c2 \u039b\u03b9\u03b2\u03af\u03c3\u03c4\u03c1\u03bf\u03c5 \u03ba\u03b1\u1f76 P\u03bf\u03b4\u03ac\u03bc\u03bd\u03b7\u03c2. K\u03c1\u03b9\u03c4\u03b9\u03ba\u1f74 \u1f14\u03ba\u03b4\u03bf\u03c3\u03b7 \u03c4\u1fc6\u03c2 \u03b4\u03b9\u03b1\u03c3\u03ba\u03b5\u03c5\u1fc6\u03c2 \u00ab\u1f04\u03bb\u03c6\u03b1\u00bb [B\u03c5\u03b6\u03b1\u03bd\u03c4\u03b9\u03bd\u1f74 \u03ba\u03b1\u1f76 N\u03b5\u03bf\u03b5\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u1f74 B\u03b9\u03b2\u03bb\u03b9\u03bf\u03b8\u03ae\u03ba\u03b7 9], Athens 2006 [= The Tale of Livistros and Rodamne: Critical Edition of Redaction \u2018alpha\u2019]. <\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item {\"translatedWithWPMLTM\":\"1\"} -->\n<li>P. A. Agapitos \u2013 M. Hinterberger \u2013 E. Mitsi, \u0395\u1f30\u03ba\u1f7c\u03bd \u03ba\u03b1\u1f76 \u039b\u03cc\u03b3\u03bf\u03c2: \u1f1c\u03be\u03b9 \u03b2\u03c5\u03b6\u03b1\u03bd\u03c4\u03b9\u03bd\u1f72\u03c2 \u03c0\u03b5\u03c1\u03b9\u03b3\u03c1\u03b1\u03c6\u1f72\u03c2 \u1f14\u03c1\u03b3\u03c9\u03bd \u03c4\u03ad\u03c7\u03bd\u03b7\u03c2. \u0395\u1f30\u03c3\u03b1\u03b3\u03c9\u03b3\u03b9\u03ba\u1f78 \u03b4\u03bf\u03ba\u03af\u03bc\u03b9\u03bf, \u03bc\u03b5\u03c4\u03ac\u03c6\u03c1\u03b1\u03c3\u03b7 \u03ba\u03b1\u1f76 \u03c3\u03c7\u03bf\u03bb\u03b9\u03b1\u03c3\u03bc\u03cc\u03c2, Athens 2006 [= Image and Word: Six Byzantine Descriptions of Works of Art. Introductory essay, translation, commentary]. <\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>\u1f29 \u1f10\u03c1\u03c9\u03c4\u03b9\u03ba\u1f74 \u03b4\u03b9\u03ae\u03b3\u03b7\u03c3\u03b7 \u03c3\u03c4\u1f70 \u03bc\u03b5\u03c3\u03b1\u03b9\u03c9\u03bd\u03b9\u03ba\u1f70 \u03c7\u03c1\u03cc\u03bd\u03b9\u03b1: \u03a0\u03b5\u03c1\u03c3\u03af\u03b1\u2015\u0392\u03c5\u03b6\u03ac\u03bd\u03c4\u03b9\u03bf\u2015\u03a6\u03c1\u03b1\u03b3\u03b3\u03af\u03b1, Athens 2008 [= Tales of Love in Medieval Times: Persia, Byzantium, France].<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item {\"translatedWithWPMLTM\":\"1\"} -->\n<li>The Tale of Livistros and Rodamne: A Byzantine Love Romance of the 13th Century. Translation and Introduction [Translated Texts for Byzantinists 10], Liverpool 2021. <\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item {\"translatedWithWPMLTM\":\"1\"} -->\n<li>\u0392\u03c5\u03b6\u03b1\u03bd\u03c4\u03b9\u03bd\u03bf\u03bb\u03bf\u03b3\u03af\u03b1 \u03ba\u03b1\u1f76 \u039d\u03b1\u03b6\u03b9\u03c3\u03bc\u03cc\u03c2: \u1f49 \u03a6\u03c1\u1f70\u03bd\u03c4\u03c2 \u039d\u03c4\u03ad\u03bb\u03b3\u03ba\u03b5\u03c1, \u1f21 \u1f59\u03c0\u03b7\u03c1\u03b5\u03c3\u03af\u03b1 \u03a1\u03cc\u03b6\u03b5\u03bd\u03bc\u03c0\u03b5\u03c1\u03b3\u03ba, \u1f41 \u1f0c\u03b8\u03c9\u03c2 \u03ba\u03b1\u1f76 \u1f21 \u1f39\u03c3\u03c4\u03bf\u03c1\u03af\u03b1 \u03c4\u1fc6\u03c2 \u0392\u03c5\u03b6\u03b1\u03bd\u03c4\u03b9\u03bd\u1fc6\u03c2 \u03a6\u03b9\u03bb\u03bf\u03bb\u03bf\u03b3\u03af\u03b1\u03c2 (1920-1958), Athens 2023. [Translated and fully revised version with photographs of study no. 79 below.] <\/li>\n<!-- \/wp:list-item --><\/ul>\n<!-- \/wp:list --><!-- wp:spacer {\"height\":\"51px\"} -->\n<div style=\"height:51px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<!-- \/wp:spacer --><!-- wp:jgu\/heading {\"tags\":{\"htmlTag\":\"h2\",\"classTag\":\"h3\",\"tag\":\"h2.h3\"},\"heading\":\"Edited Volumes\"} \/--><!-- wp:list -->\n<ul><!-- wp:list-item {\"translatedWithWPMLTM\":\"1\"} -->\n<li>P. A. Agapitos \u2013 D. R. Reinsch (eds.), Der Roman im Byzanz der Komnenenzeit. Referate des Internazionalen Symposiums an der Freien Universit\u00e4t Berlin (3. bis 6. April 1998) [Meletemata. Beitr\u00e4ge zur Byzantinistik und Neugriechischen Philologie 8], Frankfurt a.M. 2000. <\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item {\"translatedWithWPMLTM\":\"1\"} -->\n<li>P. A. Agapitos \u2013 M. Pieris (eds.), \u00ab\u03a4\u2019 \u1f00\u03b4\u03cc\u03bd\u03b9\u03bd \u03ba\u03b5\u1fd6\u03bd\u03bf\u03bd \u03c0\u03bf\u1f7a \u03b3\u03bb\u03c5\u03ba\u1f70 \u03b8\u03bb\u03b9\u03b2\u1fb6\u03c4\u03b1\u03b9\u00bb: \u1f1c\u03ba\u03b4\u03bf\u03c3\u03b7 \u03ba\u03b1\u1f76 \u1f11\u03c1\u03bc\u03b7\u03bd\u03b5\u03af\u03b1 \u03c4\u1fc6\u03c2 \u1f11\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u1fc6\u03c2 \u03b4\u03b7\u03bc\u03ce\u03b4\u03bf\u03c5\u03c2 \u03b3\u03c1\u03b1\u03bc\u03bc\u03b1\u03c4\u03b5\u03af\u03b1\u03c2 \u03c3\u03c4\u1f78 \u03c0\u03ad\u03c1\u03b1\u03c3\u03bc\u03b1 \u1f00\u03c0\u1f78 \u03c4\u1f78\u03bd M\u03b5\u03c3\u03b1\u03af\u03c9\u03bd\u03b1 \u03c3\u03c4\u1f74\u03bd \u1f08\u03bd\u03b1\u03b3\u03ad\u03bd\u03bd\u03b7\u03c3\u03b7 (1400-1600). \u03a0\u03c1\u03b1\u03ba\u03c4\u03b9\u03ba\u1f70 \u03c4\u03bf\u1fe6 4\u03bf\u03c5 \u0394\u03b9\u03b5\u03b8\u03bd\u03bf\u1fe6\u03c2 \u03a3\u03c5\u03bd\u03b5\u03b4\u03c1\u03af\u03bf\u03c5 Neograeca Medii Aevi, Herakleion 2002 [= Edition and interpretation of Greek vernacular literature from the Middle Ages to the Renaissance (1400-1600). Acts of the 4th International Conference \u2018Neograeca Medii Aevi\u2019]. <\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item {\"translatedWithWPMLTM\":\"1\"} -->\n<li>P. Odorico \u2013 P. A. Agapitos (eds.), Pour une \u00abnouvelle\u00bb histoire de la litt\u00e9rature byzantine: probl\u00e8mes, m\u00e9thodes, approches, propositions. HERMENEIA. Actes du colloque international philologique (Nicosie, mai 2000) [Dossiers Byzantins 1], Paris 2002.  <\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item {\"translatedWithWPMLTM\":\"1\"} -->\n<li>P. Odorico \u2013 P. A. Agapitos (eds.), La vie des saints \u00e0 Byzance: genre litt\u00e9raire ou biographie historique? HERMENEIA. Actes du deuxi\u00e9me colloque international philologique (Paris, juin 2002) [Dossiers Byzantins 4], Paris 2004.  <\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item {\"translatedWithWPMLTM\":\"1\"} -->\n<li>P. Odorico \u2013 P. A. Agapitos \u2013 M. Hinterberger (eds.), L\u2019\u00e9criture de la memoire: la litt\u00e9rarit\u00e9 de l\u2019historiographie. HERMENEIA. Actes du troisi\u00e9me colloque international philologique (Nicosie, mai 2004) [Dossiers Byzantins 7], Paris 2006.  <\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item {\"translatedWithWPMLTM\":\"1\"} -->\n<li>P. Odorico \u2013 P. A. Agapitos \u2013 M. Hinterberger (eds.), \u00abDoux rem\u00e8de...\u00bb: Po\u00e9sie et po\u00e9tique \u00e0 Byzance. HERMENEIA. Actes du quatri\u00e9me colloque international philologique (Nicosie, mai 2004) [Dossiers Byzantins 7], Paris 2009.  <\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>P. A. Agapitos \u2013 L. B. Mortensen (eds.), Medieval Narratives between History and Fiction: From the Center to the Periphery of Europe (c. 1100-1400), Copenhagen 2012.<\/li>\n<!-- \/wp:list-item --><\/ul>\n<!-- \/wp:list --><!-- wp:spacer {\"height\":\"49px\"} -->\n<div style=\"height:49px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<!-- \/wp:spacer --><!-- wp:jgu\/heading {\"tags\":{\"htmlTag\":\"h2\",\"classTag\":\"h3\",\"tag\":\"h2.h3\"},\"heading\":\"Essays\"} \/--><!-- wp:list -->\n<ul><!-- wp:list-item -->\n<li>A Post-Byzantine Musical Anthology: MS Greek 21 in the Houghton Library, Harvard Library Bulletin 35 (1987 [appeared in 1989]) 150\u2013164.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>The \u2018Rhetorical\u2019 Legitimation of Basileios I in the Vita Basilii, in: Abstracts of Papers (15th Annual Byzantine Studies Conference, Univ. of Massachussets at Amherst), Amherst 1989, pp. 11\u201312.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item {\"translatedWithWPMLTM\":\"1\"} -->\n<li>Michael Italikos. Klage auf den Tod seines Rebhuhns, Byzantinische Zeitschrift 82 (1989) 59\u201368. <\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>\u1f29 \u03b5\u1f30\u03ba\u03cc\u03bd\u03b1 \u03c4\u03bf\u1fe6 \u03b1\u1f50\u03c4\u03bf\u03ba\u03c1\u03ac\u03c4\u03bf\u03c1\u03b1 B\u03b1\u03c3\u03b9\u03bb\u03b5\u03af\u03bf\u03c5 A\u0384 \u03c3\u03c4\u1f74 \u03c6\u03b9\u03bb\u03bf\u03bc\u03b1\u03ba\u03b5\u03b4\u03bf\u03bd\u03b9\u03ba\u1f74 \u03b3\u03c1\u03b1\u03bc\u03bc\u03b1\u03c4\u03b5\u03af\u03b1 867\u2013959, Hellenika 40 (1989) 285-322 [= The image of Emperor Basil I in Pro Macedonian literature 867-959].<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>The Erotic Bath in the Byzantine Vernacular Romance Kallimachos and Chrysorrhoe, Classica et Medievalia 41 (1990) 257\u2013273.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Textkritisches zu Kallimachos und Chrysorrhoe, Hellenika 41 (1990) 33\u201341.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Lemmata \u201cCentaur\u201d, \u201cHerakles\u201d, \u201cOppianos\u201d, \u201cOrpheus\u201d, \u201cOvid\u201d, \u201cPhoenix\u201d, \u201cProteus\u201d, \u201cSatyr\u201d, \u201cVergil\u201d, in: A. P. Kazhdan (ed.), The Oxford Dictionary of Byzantium, New York-Oxford 1991.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>E. Mitsi \u2013 P. A. Agapitos, E\u1f30\u03ba\u1f7c\u03bd \u03ba\u03b1\u1f76 \u03bb\u03cc\u03b3\u03bf\u03c2: \u1f21 \u03c0\u03b5\u03c1\u03b9\u03b3\u03c1\u03b1\u03c6\u1f74 \u1f14\u03c1\u03b3\u03c9\u03bd \u03c4\u03ad\u03c7\u03bd\u03b7\u03c2 \u03c3\u03c4\u1f74 \u03b2\u03c5\u03b6\u03b1\u03bd\u03c4\u03b9\u03bd\u1f74 \u03b3\u03c1\u03b1\u03bc\u03bc\u03b1\u03c4\u03b5\u03af\u03b1, Annales d\u2019Esth\u00e9tique 29-30 (1990\/91) 109\u2013126 [= Image and Word: the description of works of art in Byzantine literature].<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Libistros und Rhodamne: Vorl\u00e4ufiges zu einer kritischen Ausgabe der Version A, Jahrbuch der \u00d6sterreichischen Byzantinistik 42 (1992) 191\u2013208.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>\u1f29 \u1f14\u03bc\u03bc\u03b5\u03c3\u03b7 \u03c0\u03b1\u03c1\u03ac\u03b4\u03bf\u03c3\u03b7 \u03c4\u03bf\u1fe6 \u03b4\u03b7\u03bc\u03ce\u03b4\u03bf\u03c5\u03c2 \u03bc\u03c5\u03b8\u03b9\u03c3\u03c4\u03bf\u03c1\u03ae\u03bc\u03b1\u03c4\u03bf\u03c2 \u039b\u03af\u03b2\u03b9\u03c3\u03c4\u03c1\u03bf\u03c2 \u03ba\u03b1\u1f76 P\u03bf\u03b4\u03ac\u03bc\u03bd\u03b7, Hellenika 42 (1991\/92) 61\u201374 [= The indirect transmission of the vernacular romance of Livistros and Rhodamne].<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Byzantine Literature and Greek Philologists in the Nineteenth Century, Classica et Medievalia 43 (1992) 231\u2013260.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item {\"translatedWithWPMLTM\":\"1\"} -->\n<li>\u1f29 \u03c7\u03c1\u03bf\u03bd\u03bf\u03bb\u03bf\u03b3\u03b9\u03ba\u1f74 \u1f00\u03ba\u03bf\u03bb\u03bf\u03c5\u03b8\u03af\u03b1 \u03c4\u1ff6\u03bd \u03bc\u03c5\u03b8\u03b9\u03c3\u03c4\u03bf\u03c1\u03b7\u03bc\u03ac\u03c4\u03c9\u03bd K\u03b1\u03bb\u03bb\u03af\u03bc\u03b1\u03c7\u03bf\u03c2, B\u03ad\u03bb\u03b8\u03b1\u03bd\u03b4\u03c1\u03bf\u03c2 \u03ba\u03b1\u1f76 \u039b\u03af\u03b2\u03b9\u03c3\u03c4\u03c1\u03bf\u03c2 [= The chronological sequence of the romances Kallimachos, Velthandros and Livistros], in: N. M. Panagiotakis (ed.), \u1f08\u03c1\u03c7\u1f72\u03c2 \u03c4\u1fc6\u03c2 \u03bd\u03b5\u03bf\u03b5\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u1fc6\u03c2 \u03bb\u03bf\u03b3\u03bf\u03c4\u03b5\u03c7\u03bd\u03af\u03b1\u03c2. \u03a0\u03c1\u03b1\u03ba\u03c4\u03b9\u03baa \u03c4\u03bf\u1fe6 \u03b4\u03b5\u03c5\u03c4\u03ad\u03c1\u03bf\u03c5 \u03b4\u03b9\u03b5\u03b8\u03bd\u03bf\u1fe6\u03c2 \u03c3\u03c5\u03bd\u03b5\u03b4\u03c1\u03af\u03bf\u03c5 Neograeca Medii Aevi (B\u03b5\u03bd\u03b5\u03c4\u03af\u03b1 1991), Venice 1993, vol. II, pp. 197\u2013234.  <\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item {\"translatedWithWPMLTM\":\"1\"} -->\n<li>\u1f1d\u03bd\u03b1 \u1f00\u03ba\u03cc\u03bc\u03b7 \u03c3\u03c0\u03ac\u03c1\u03b1\u03b3\u03bc\u03b1 \u03c4\u03bf\u1fe6 \u03bc\u03c5\u03b8\u03b9\u03c3\u03c4\u03bf\u03c1\u03ae\u03bc\u03b1\u03c4\u03bf\u03c2 \u039b\u03af\u03b2\u03b9\u03c3\u03c4\u03c1\u03bf\u03c2 \u03ba\u03b1\u1f76 P\u03bf\u03b4\u03ac\u03bc\u03bd\u03b7: \u1f49 \u03b2\u03b1\u03c4\u03b9\u03ba\u03b1\u03bd\u1f78\u03c2 \u03ba\u03ce\u03b4\u03b9\u03ba\u03b1\u03c2 Barb. gr. 172, Hellenika 43 (1993) 337\u2013359 [= One further fragment of Livistros and Rodamne: the Vatican manuscript Barb. gr. 172].  <\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>P. A. Agapitos \u2013 O. L. Smith, Scribes and Manuscripts of Byzantine Vernacular Romances: Palaeographical Facts and Editorial Implications, Hellenika 44 (1994) 61\u201380.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item {\"translatedWithWPMLTM\":\"1\"} -->\n<li>Byzantium in the Poetry of Kostis Palamas and C. P. Cavafy, K\u03ac\u03bc\u03c0\u03bf\u03c2. Cambridge Papers in Modern Greek 2 (1994) 1\u201320. <\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>T\u03bf\u1fe6 \u1f14\u03c1\u03c9\u03c4\u03b1 \u03ba\u03b1\u1f76 \u03c4\u1ff6\u03bd \u03c0\u03b9\u03ba\u03c1\u1ff6\u03bd \u03b2\u03b1\u03c3\u03ac\u03bd\u03c9\u03bd: M\u03b9\u1f70 \u03b4\u03b9\u03b1\u03ba\u03b5\u03b9\u03bc\u03b5\u03bd\u03b9\u03ba\u1f74 \u1f00\u03bd\u03ac\u03b3\u03bd\u03c9\u03c3\u03b7 \u03c4\u03bf\u1fe6 \u03c4\u03c1\u03af\u03c0\u03c4\u03c5\u03c7\u03bf\u03c5 \u03c0\u03bf\u03b9\u03ae\u03bc\u03b1\u03c4\u03bf\u03c2 \u00ab\u03b4\u03cc\u03c2 \u03bc\u03bf\u03c5 \u1f41\u03c1\u03b9\u03c3\u03bc\u1f78\u03bd\u00bb \u03c4\u03bf\u1fe6 M\u03b9\u03c7\u03ac\u03bb\u03b7 \u1f18\u03c6\u03c4\u03b1\u03b3\u03c9\u03bd\u03af\u03c4\u03b7, Comparaison 7 (1996) 97\u2013117 [= \u2018Of love and bitter torment\u2019: An intertextual reading of the triptych poem \u201cgive me a command\u201d by Michalis Eftagonitis].<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>\u1f29 \u1f00\u03c6\u03b7\u03b3\u03b7\u03bc\u03b1\u03c4\u03b9\u03ba\u1f74 \u03c3\u03b7\u03bc\u03b1\u03c3\u03af\u03b1 \u03c4\u1fc6\u03c2 \u1f00\u03bd\u03c4\u03b1\u03bb\u03bb\u03b1\u03b3\u1fc6\u03c2 \u1f10\u03c0\u03b9\u03c3\u03c4\u03bf\u03bb\u1ff6\u03bd \u03ba\u03b1\u1f76 \u03c4\u03c1\u03b1\u03b3\u03bf\u03c5\u03b4\u03b9\u1ff6\u03bd \u03c3\u03c4\u1f78 \u03bc\u03c5\u03b8\u03b9\u03c3\u03c4\u03cc\u03c1\u03b7\u03bc\u03b1 \u039b\u03af\u03b2\u03b9\u03c3\u03c4\u03c1\u03bf\u03c2 \u03ba\u03b1\u1f76 P\u03bf\u03b4\u03ac\u03bc\u03bd\u03b7, Thesaurismata 26 (1996) 25\u201342 [= The narrative function of the exchange of letters and songs in Livistros and Rodamne].<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>\u03a0\u03c1\u1f78\u03c2 \u03bc\u03b9\u1f70 \u03ba\u03c1\u03b9\u03c4\u03b9\u03ba\u1f74 \u1f14\u03ba\u03b4\u03bf\u03c3\u03b7 \u03c4\u03bf\u1fe6 \u03bc\u03c5\u03b8\u03b9\u03c3\u03c4\u03bf\u03c1\u03ae\u03bc\u03b1\u03c4\u03bf\u03c2 \u039b\u03af\u03b2\u03b9\u03c3\u03c4\u03c1\u03bf\u03c2 \u03ba\u03b1\u1f76 P\u03bf\u03b4\u03ac\u03bc\u03bd\u03b7: \u03a0\u03c1\u03bf\u03b2\u03bb\u03ae\u03bc\u03b1\u03c4\u03b1<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item {\"translatedWithWPMLTM\":\"1\"} -->\n<li>\u03bc\u03b5\u03b8\u03cc\u03b4\u03bf\u03c5 [= Towards a critical edition of Livistros and Rodamne: Issues of method], in: J. M. Egea \u2013 A. Javier (eds.), Prosa y Verso en Griego Medieval. Rapports of the International Congress \u00abNeograeca Medii Aevi III\u00bb (Vitoria 1994), Amsterdam 1996, pp. 1\u201316. <\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Kaiser Johannes VII. Palaiologos als Addressat einer Monodie des Theodoros Potamios, Byzantinische Zeitschrift 90 (1997) 1\u20137.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item {\"translatedWithWPMLTM\":\"1\"} -->\n<li>Parisinus Coislinianus 287. \u03a0\u03b5\u03c1\u03b9\u03b3\u03c1\u03b1\u03c6\u1f74 \u03c4\u03bf\u1fe6 \u03c7\u03b5\u03b9\u03c1\u03bf\u03b3\u03c1\u03ac\u03c6\u03bf\u03c5, in: N\u03b5\u03bf\u03c6\u03cd\u03c4\u03bf\u03c5 \u03a0\u03c1\u03b5\u03c3\u03b2\u03c5\u03c4\u03ad\u03c1\u03bf\u03c5 M\u03bf\u03bd\u03b1\u03c7\u03bf\u1fe6 \u03ba\u03b1\u1f76 \u1f18\u03b3\u03ba\u03bb\u03b5\u03af\u03c3\u03c4\u03bf\u03c5 (as below no. 113), pp. xxiii\u2013xxviii. <\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Teachers, Pupils and Imperial Power in Eleventh-century Byzantium, in: N. Livingstone \u2013 Y. L. Too (eds.), Pedagogy and Power: Rhetorics of Classical Learning [Ideas in Context 50], Cambridge 1998, pp. 170\u2013191.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Narrative, Rhetoric and \u2018Drama\u2019 Rediscovered: Scholars and Poets in Byzantium Interpret Heliodorus, in: R. Hunter (ed.), Studies in Heliodorus [Cambridge Philological Society. Supplementary Volume 21], Cambridge 1998, pp. 125\u2013156.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item {\"translatedWithWPMLTM\":\"1\"} -->\n<li>\u1f49 \u03bb\u03bf\u03b3\u03bf\u03c4\u03b5\u03c7\u03bd\u03b9\u03ba\u1f78\u03c2 \u03b8\u03ac\u03bd\u03b1\u03c4\u03bf\u03c2 \u03c4\u1ff6\u03bd \u1f10\u03c7\u03b8\u03c1\u1ff6\u03bd \u03c3\u03c4\u1f74\u03bd \u00ab\u03b1\u1f50\u03c4\u03bf\u03b2\u03b9\u03bf\u03b3\u03c1\u03b1\u03c6\u03af\u03b1\u00bb \u03c4\u03bf\u1fe6 N\u03b9\u03ba\u03b7\u03c6\u03cc\u03c1\u03bf\u03c5 B\u03bb\u03b5\u03bc\u03bc\u03cd\u03b4\u03b7, Hellenika 48 (1998) 29\u201346 [= The literary death of enemies in the \u2018autobiography\u2019 of Nikephoros Blemmydes].<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>SO Debate \u201cQuellenforschung and\/or Literary Criticism. Narrative Structures in Byzantine Historical Writings\u201d: A Comment, Symbolae Osloensis 73 (1998) 24\u201329.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Metamorphoseon permulti libri: Byzantine Literature Translated into Modern Greek, in: P. Magdalino \u2013 D. Ricks (eds.), Byzantium and the Modern Greek Identity [Center for Hellenic Studies, King\u2019s College London. Publications 4], London 1998, pp. 63\u201374.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Mischung der Gattungen und \u00dcberschreitung der Gesetze: Die Grabrede des Eustathios von Thessalonike auf Nikolaos Hagiotheodorites, Jahrbuch der \u00d6sterreichischen Byzantinistik 48 (1998) 119\u2013146.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Seneca\u2019s Thyestes and the Poetics of Multiple Transgression, Hellenika 48 (1998) 231\u2013253.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Dreams and the Spatial Aesthetics of Narrative Presentation in Livistros and Rhodamne, Dumbarton Oaks Papers 53 (1999) 111\u2013147.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>\u1f39\u03b5\u03c1\u03ce\u03bd\u03c5\u03bc\u03bf\u03c2 T\u03c1\u03b1\u03b3\u03c9\u03b4\u03b9\u03c3\u03c4\u1f74\u03c2 \u1f41 K\u03cd\u03c0\u03c1\u03b9\u03bf\u03c2: \u1f15\u03bd\u03b1\u03c2 \u03bc\u03bf\u03c5\u03c3\u03b9\u03ba\u1f78\u03c2 \u03ba\u03b1\u1f76 \u03b3\u03c1\u03b1\u03c6\u03ad\u03b1\u03c2 \u03c4\u1fc6\u03c2 \u1f45\u03c8\u03b9\u03bc\u03b7\u03c2 \u1f00\u03bd\u03b1\u03b3\u03ad\u03bd\u03bd\u03b7\u03c3\u03b7\u03c2 [= Hieronymos Tragodistes the Cypriot: a musician and scribe of the Late Renaissance], in: N. Oikonomides (ed.), \u1f29 \u1f11\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u1f74 \u03b3\u03c1\u03b1\u03c6\u1f74 \u03ba\u03b1\u03c4\u1f70 \u03c4\u03bf\u1f7a\u03c2 \u03b4\u03ad\u03ba\u03b1\u03c4\u03bf \u03c0\u03ad\u03bc\u03c0\u03c4\u03bf \u03ba\u03b1\u1f76 \u03b4\u03ad\u03ba\u03b1\u03c4\u03bf \u1f15\u03ba\u03c4\u03bf \u03b1\u1f30\u1ff6\u03bd\u03b5\u03c2 [\u1f18\u03b8\u03bd\u03b9\u03ba\u1f78 \u1f3d\u03b4\u03c1\u03c5\u03bc\u03b1 \u1f18\u03c1\u03b5\u03c5\u03bd\u1ff6\u03bd. \u1f38\u03bd\u03c3\u03c4\u03b9\u03c4\u03bf\u1fe6\u03c4\u03bf B\u03c5\u03b6\u03b1\u03bd\u03c4\u03b9\u03bd\u1ff6\u03bd \u1f18\u03c1\u03b5\u03c5\u03bd\u1ff6\u03bd. \u0394\u03b9\u03b5\u03b8\u03bd\u1fc6 \u03a3\u03c5\u03bc\u03c0\u03cc\u03c3\u03b9\u03b1 7], Athens 2000, pp. 283\u2013300.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item {\"translatedWithWPMLTM\":\"1\"} -->\n<li>Der Roman der Komnenenzeit. Stand der Forschung und weitere Perspektiven, in: Agapitos\u2013Reinsch, Der Roman im Byzanz (as above nr. 8), pp. 1\u201318. <\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Poets and Painters: Theodoros Prodromos\u2019 Dedicatory Verses of his Novel to an Anonymous Caesar, Jahrbuch der \u00d6sterreichischen Byzantinistik 50 (2000) 173\u2013185.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item {\"translatedWithWPMLTM\":\"1\"} -->\n<li>\u1f1c\u03ba\u03b4\u03bf\u03c3\u03b7 \u03ba\u03b1\u1f76 \u1f11\u03c1\u03bc\u03b7\u03bd\u03b5\u03af\u03b1 \u03c4\u1ff6\u03bd \u03ba\u03b5\u03b9\u03bc\u03ad\u03bd\u03c9\u03bd: \u03c3\u03ba\u03ad\u03c8\u03b5\u03b9\u03c2 \u03b3\u03b9\u1f70 \u03c4\u1f74 \u03b4\u03c5\u03bd\u03b1\u03bc\u03b9\u03ba\u1f74 \u03b4\u03b9\u03b1\u03c0\u03bb\u03bf\u03ba\u1f74 \u03c4\u1ff6\u03bd \u03bc\u03b5\u03b8\u03cc\u03b4\u03c9\u03bd [= Editing and intepreting texts: thoughts on a dynamic intertwining of methods], in: H. Eideneier \u2013 U. Moennig \u2013 N. Toufexis (eds.), \u0398\u03b5\u03c9\u03c1\u03af\u03b1 \u03ba\u03b1\u1f76 \u03c0\u03c1\u03ac\u03be\u03b7 \u03c4\u1ff6\u03bd \u1f10\u03ba\u03b4\u03cc\u03c3\u03b5\u03c9\u03bd \u03c4\u1fc6\u03c2 \u1f51\u03c3\u03c4\u03b5\u03c1\u03bf\u03b2\u03c5\u03b6\u03b1\u03bd\u03c4\u03b9\u03bd\u1fc6\u03c2, \u1f00\u03bd\u03b1\u03b3\u03b5\u03bd\u03bd\u03b7\u03c3\u03b9\u03b1\u03ba\u1fc6\u03c2 \u03ba\u03b1\u1f76 \u03bc\u03b5\u03c4\u03b1\u03b2\u03c5\u03b6\u03b1\u03bd\u03c4\u03b9\u03bd\u1fc6\u03c2 \u03b4\u03b7\u03bc\u03ce\u03b4\u03bf\u03c5\u03c2 \u03b3\u03c1\u03b1\u03bc\u03bc\u03b1\u03c4\u03b5\u03af\u03b1\u03c2. \u03a0\u03c1\u03b1\u03ba\u03c4\u03b9\u03ba\u1f70 \u03c4\u03bf\u1fe6 \u03b4\u03b9\u03b5\u03b8\u03bd\u03bf\u1fe6\u03c2 \u03c3\u03c5\u03bc\u03c0\u03bf\u03c3\u03af\u03bf\u03c5 \u1f10\u03c1\u03b3\u03b1\u03c3\u03af\u03b1\u03c2 Neograeca Medii Aevi IVa (\u1f38\u03b1\u03bd\u03bf\u03c5\u03ac\u03c1\u03b9\u03bf\u03c2 1999, \u1f08\u03bc\u03b2\u03bf\u1fe6\u03c1\u03b3\u03bf), Herakleion 2000, pp. 93\u201399. <\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>\u1f29 \u03b8\u03ad\u03c3\u03b7 \u03c4\u1fc6\u03c2 \u03b1\u1f30\u03c3\u03b8\u03b7\u03c4\u03b9\u03ba\u1fc6\u03c2 \u1f00\u03c0\u03bf\u03c4\u03af\u03bc\u03b7\u03c3\u03b7\u03c2 \u03c3\u1f72 \u03bc\u03b9\u1f70 \u00ab\u03bd\u03ad\u03b1\u00bb \u1f31\u03c3\u03c4\u03bf\u03c1\u03af\u03b1 \u03c4\u1fc6\u03c2 \u03b2\u03c5\u03b6\u03b1\u03bd\u03c4\u03b9\u03bd\u1fc6\u03c2 \u03bb\u03bf\u03b3\u03bf\u03c4\u03b5\u03c7\u03bd\u03af\u03b1\u03c2 [= The place of aesthetic appreciation in a \u201cnew\u201d history of Byzantine literature], in: Odorico\u2013Agapitos, Pour une \u00abnouvelle\u00bb histoire (as above no. 10), pp. 185\u2013232.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item {\"translatedWithWPMLTM\":\"1\"} -->\n<li>\u03a0\u03c1\u1f78\u03c2 \u03bc\u03b9\u1f70 \u03ba\u03c1\u03b9\u03c4\u03b9\u03ba\u1f74 \u1f14\u03ba\u03b4\u03bf\u03c3\u03b7 \u03c4\u1ff6\u03bd \u1f10\u03c0\u03b9\u03c4\u03b1\u03c6\u03af\u03c9\u03bd \u03bb\u03cc\u03b3\u03c9\u03bd \u03c4\u03bf\u1fe6 M\u03b9\u03c7\u03b1\u1f74\u03bb \u03a8\u03b5\u03bb\u03bb\u03bf\u1fe6: \u1f21 \u03bc\u03bf\u03bd\u03c9\u03b4\u03af\u03b1 \u201cE\u1f30\u03c2 \u03c4\u1f78\u03bd \u03c4\u03bf\u1fe6 \u1f00\u03ba\u03c4\u03bf\u03c5\u03b1\u03c1\u03af\u03bf\u03c5 \u1f38\u03c9\u03ac\u03bd\u03bd\u03bf\u03c5 \u03ac\u03b4\u03b5\u03bb\u03c6\u03cc\u03bd\u201d (OrFun. 16) [= Towards a critical edition of Michael Psellos\u2019 funeral orations: the monody \u201cOn the brother of aktouarios John (OrFun. 16)], in: \u039b\u03cc\u03b3\u03b9\u03b1 \u03ba\u03b1\u1f76 \u03b4\u03b7\u03bc\u03ce\u03b4\u03b7\u03c2 \u03b3\u03c1\u03b1\u03bc\u03bc\u03b1\u03c4\u03b5\u03af\u03b1 \u03c4\u03bf\u1fe6 \u1f19\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u03bf\u1fe6 M\u03b5\u03c3\u03b1\u03af\u03c9\u03bd\u03b1. \u0386\u03c6\u03b9\u03ad\u03c1\u03c9\u03bc\u03b1 \u03c3\u03c4\u1f78\u03bd E\u1f54\u03b4\u03bf\u03be\u03bf \u0398. T\u03c3\u03bf\u03bb\u03ac\u03ba\u03b7. \u03a0\u03c1\u03b1\u03ba\u03c4\u03b9\u03ba\u1f70 \u03c4\u1fc6\u03c2 \u0398\u0384 \u1f18\u03c0\u03b9\u03c3\u03c4\u03b7\u03bc\u03bf\u03bd\u03b9\u03ba\u1fc6\u03c2 \u03a3\u03c5\u03bd\u03ac\u03bd\u03c4\u03b7\u03c3\u03b7\u03c2 \u03c4\u03bf\u1fe6 T\u03bf\u03bc\u03ad\u03b1 M.N.E.\u03a3. \u03c4\u03bf\u1fe6 \u1f08\u03c1\u03b9\u03c3\u03c4\u03bf\u03c4\u03b5\u03bb\u03b5\u03af\u03bf\u03c5 \u03a0\u03b1\u03bd\u03b5\u03c0\u03b9\u03c3\u03c4\u03b7\u03bc\u03af\u03bf\u03c5 \u0398\u03b5\u03c3\u03c3\u03b1\u03bb\u03bf\u03bd\u03af\u03ba\u03b7\u03c2 (M\u03ac\u03ca\u03bf\u03c2 2000), Thessaloniki 2002, pp. 139\u2013160.    <\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Ancient Models and Novel Mixtures: The Concept of Genre in Byzantine Funerary Literature from Patriarch Photios to Eustathios of Thessalonike, in: G. Nagy \u2013 A. Stavrakopoulou (eds.), Modern Greek Literature: Critical Essays, New York-London 2003, pp. 5\u201323.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Mortuary Typology in the Lives of Saints: Michael the Synkellos and Stephen the<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Younger, in: Odorico\u2013Agapitos, La vie des saints (as above no. 11), pp. 103\u2013135.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>\u1f08\u03c0\u1f78 \u03c4\u1f78 \u201c\u03b4\u03c1\u1fb6\u03bc\u03b1\u201d \u03c4\u03bf\u1fe6 \u1f1c\u03c1\u03c9\u03c4\u03b1 \u03c3\u03c4\u1f78 \u201c\u1f00\u03c6\u03ae\u03b3\u03b7\u03bc\u03b1\u03bd\u201d \u03c4\u1fc6\u03c2 \u1f08\u03b3\u03ac\u03c0\u03b7\u03c2: \u03c4\u1f78 \u1f10\u03c1\u03c9\u03c4\u03b9\u03ba\u1f78 \u03bc\u03c5\u03b8\u03b9\u03c3\u03c4\u03cc\u03c1\u03b7\u03bc\u03b1 \u03c3\u03c4\u1f78 B\u03c5\u03b6\u03ac\u03bd\u03c4\u03b9\u03bf (11\u03bf\u03c2-14\u03bf\u03c2 \u03b1\u1f30\u03ce\u03bd\u03b1\u03c2) [= From the \u201cdrama\u201d of Eros to the \u201ctale\u201d of Love: the romance of love in Byzantium (11th-14th centuries), in: Christina G. Angelidi (ed.), T\u1f78 B\u03c5\u03b6\u03ac\u03bd\u03c4\u03b9\u03bf \u1f65\u03c1\u03b9\u03bc\u03bf \u03b3\u03b9\u1f70 \u1f00\u03bb\u03bb\u03b1\u03b3\u03ad\u03c2: \u1f18\u03c0\u03b9\u03bb\u03bf\u03b3\u03ad\u03c2, \u03b5\u1f50\u03b1\u03b9\u03c3\u03b8\u03b7\u03c3\u03af\u03b5\u03c2 \u03ba\u03b1\u1f76 \u03c4\u03c1\u03cc\u03c0\u03bf\u03b9 \u1f14\u03ba\u03c6\u03c1\u03b1\u03c3\u03b7\u03c2 \u1f00\u03c0\u1f78 \u03c4\u1f78\u03bd \u1f11\u03bd\u03b4\u03ad\u03ba\u03b1\u03c4\u03bf \u03c3\u03c4\u1f78\u03bd \u03b4\u03ad\u03ba\u03b1\u03c4\u03bf \u03c0\u03ad\u03bc\u03c0\u03c4\u03bf \u03b1\u1f30\u03ce\u03bd\u03b1 [\u1f18\u03b8\u03bd\u03b9\u03ba\u1f40 \u1f3d\u03b4\u03c1\u03c5\u03bc\u03b1 \u1f18\u03c1\u03b5\u03c5\u03bd\u1ff6\u03bd. \u1f38\u03bd\u03c3\u03c4\u03b9\u03c4\u03bf\u1fe6\u03c4\u03bf B\u03c5\u03b6\u03b1\u03bd\u03c4\u03b9\u03bd\u1ff6\u03bd \u1f18\u03c1\u03b5\u03c5\u03bd\u1ff6\u03bd: \u0394\u03b9\u03b5\u03b8\u03bd\u1fc6 \u03a3\u03c5\u03bc\u03c0\u03cc\u03c3\u03b9\u03b1 13], Athens 2004, pp. 53\u201372.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>\u1f08\u03c0\u1f78 \u03c4\u1f74\u03bd \u03a0\u03b5\u03c1\u03c3\u03af\u03b1 \u03c3\u03c4\u1f74\u03bd \u03a0\u03c1\u03bf\u03b2\u03b7\u03b3\u03b3\u03af\u03b1: \u1f10\u03c1\u03c9\u03c4\u03b9\u03ba\u1f72\u03c2 \u03b4\u03b9\u03b7\u03b3\u03ae\u03c3\u03b5\u03b9\u03c2 \u03c3\u03c4\u1f78 \u1f55\u03c3\u03c4\u03b5\u03c1\u03bf B\u03c5\u03b6\u03ac\u03bd\u03c4\u03b9\u03bf [= From Persia to the Provence: tales of love in late Byzantium], in: E. Grammatikopoulou (ed.), T\u1f78 B\u03c5\u03b6\u03ac\u03bd\u03c4\u03b9\u03bf \u03ba\u03b1\u1f76 \u03bf\u1f31 \u1f00\u03c0\u03b1\u03c1\u03c7\u1f72\u03c2 \u03c4\u1fc6\u03c2 E\u1f50\u03c1\u03ce\u03c0\u03b7\u03c2 [\u1f18\u03b8\u03bd\u03b9\u03ba\u1f78 \u1f3d\u03b4\u03c1\u03c5\u03bc\u03b1 \u1f18\u03c1\u03b5\u03c5\u03bd\u1ff6\u03bd. \u1f18\u03c0\u03b9\u03c3\u03c4\u03ae\u03bc\u03b7\u03c2 K\u03bf\u03b9\u03bd\u03c9\u03bd\u03af\u03b1 34], Athens 2004, pp. 119\u2013153.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Zwischen Grauen und Wonne: Das Bad in der byzantinischen Literatur, Jahrbuch der \u00d6sterreichischen Byzantinistik 54 (2004) 19\u201337.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Genre, Structure and Poetics in the Byzantine Vernacular Romances of Love, Symbolae Osloenses 79 (2004) 7\u201354 and 82\u2013101 (on pp. 54\u201382 comments by C. Cupane, E. Jeffreys, M. Hinterberger, M. Lauxtermann, U. Moennig, I. Nilsson, P. Odorico and S. Papaioannou).<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Writing, Reading and Reciting (in) Byzantine Erotic Fiction, in: B. Mondrain (ed.), Lire et \u00e9crire \u00e0 Byzance [Centre de recherche d\u2019Histoire et Civilisation de Byzance. Monographies 19], Paris 2006, pp. 125\u2013176.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item {\"translatedWithWPMLTM\":\"1\"} -->\n<li>Blemmydes\u2013Laskaris\u2013Philes, in: M. Hinterberger \u2013 E. Schiffer (eds.), Byzantin-ische Sprachkunst. Studien zur byzantinischen Literatur gewidmet Wolfram H\u00f6randner zum 65. Geburtstag [Byzantinisches Archiv 20], Berlin-New York 2007, pp. 1\u201319 (and Plates I\u2013II). <\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Literary Criticism, in: E. Jeffreys \u2013 J. Haldon \u2013 R. Cormack (eds.), The Oxford Handbook of Byzantine Studies, Oxford 2008, pp. 77\u201386.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Public and Private Death in Psellos: Maria Skleraina and Styliane Psellaina, Byzantinische Zeitschrift 101 (2008) 555\u2013607.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>From Persia to the Provence: Tales of Love in Byzantium and Beyond, Acme: Annali della Facolt\u00e0 di Lettere e Filosofia dell'Universit\u00e0 degli Studi di Milano 63 (2010) 153\u2013169 [short version of no. 6].<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>In Rhomaian, Frankish and Persian Lands: Fiction and Fictionality in Byzantium and Beyond, in: Agapitos\u2013Mortensen (as above no. 13), pp. 235\u2013367.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>The \u2018Court of Amorous Dominion\u2019 and the \u2018Gate of Love\u2019: Rituals of Empire in a Byzantine Romance of the 13th Century, in: A. Beihammer \u2013 S. Constantinou \u2013 M. Parani (eds.), Royal Ceremonies and Rituals of Power in the The Medieval Mediterranean: Comparative Perspectives [The Medieval Mediterranean 91] Leiden 2013, pp. 389\u2013416.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Grammar, Genre and Patronage in the Twelfth Century: A Scientific Paradigm and its Implications, Jahrbuch der \u00d6sterreichischen Byzantinistik 64 (2014) 1\u201322.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Anna Komnene and the Politics of Schedographic Training and Colloquial Discourse, Nea Rhome 10 (2013) [2014] 89\u2013107.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Karl Krumbacher and the History of Byzantine Literature, Byzantinische Zeitschrift 108 (2015) 1\u201352.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Contesting Conceptual Boundaries: Byzantine Literature and its History, Interfaces\u2014 Medieval European Literatures 1 (2015) 62\u201391.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item {\"translatedWithWPMLTM\":\"1\"} -->\n<li>Learning to Read and Write a Schedos: The Dictionary of Par. gr. 400, in P. Odorico -S. Efthymiadis - I. D. Polemis (eds.), Vers un po\u00e8tique \u00e0 Byzance: M\u00e9langes offerts \u00e0 Vassilis Katsaros [Dossiers Byzantins 16], Paris 2015, pp. 11\u201324.   <\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>New Genres in the Twelfth Century: The schedourgia of Theodore Prodromos, Medioevo Greco 15 (2015) 1\u201341.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item {\"translatedWithWPMLTM\":\"1\"} -->\n<li>Late Antique or Early Byzantine? The Shifting Beginnings of Byzantine Literature, Istituto Lombardo\u2013Accademia di Scienze e Lettere. Rendiconti: Classe di Lettere e Scienze Morali e Storiche 146 (2012 [2015]) 3\u201338.  <\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Literary Haute Cuisine and its Dangers: Eustathios of Thessalonike on Schedography and Everyday Language, Dumbarton Oaks Papers 69 (2015) 225\u2013241.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item {\"translatedWithWPMLTM\":\"1\"} -->\n<li>Bloody Metalanguage? Crime Fiction in Greece, 1991\u20132011, in: B. Sagaster - M. Strohmaier - S. Guth (eds.), Crime Fiction in and around the Eastern Mediterranean [M\u00eez\u00e2n: Studien zur Literatur in der islamischen Welt 23], Wiesbaden 2016, pp. 93\u2013 102. <\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>\u2018Words Filled with Tears\u2019: Amorous Discourse in the Palaiologan Romances, in: M. Alexiou \u2013 D. Cairns (eds.), Greek Tears and Laughter: Late Antiquity, Byzantium and Beyond [Edinburgh Leventis Classical Studies, 8], Edinburgh 2017, pp. 353\u2013374.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item {\"translatedWithWPMLTM\":\"1\"} -->\n<li>John Tzetzes and the Blemish Examiners: A Byzantine Teacher on Schedography, Everyday Language and Writerly Disposition, Medioevo Greco 17 (2017) 1\u201357.  <\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Dangerous Literary Liaisons: Byzantium and Modern Hellenism, Byzantina 35 (2017) 33\u2013126.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item {\"translatedWithWPMLTM\":\"1\"} -->\n<li>P. A. Agapitos \u2013 D. Angelov, Six Essays by Theodore II Laskaris in Vindobonensis gr. 321: Edition, Translation, Analysis, Jahrbuch der \u00d6sterreichischen Byzantinistik 68 (2018) 39\u201375. <\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>The Word as Animated Image: Inscribed Texts in the Frescoes of the Church of the Virgin Mary at Laghouder\u00e1, Cyprus (AD 1192), in: A. Papageorghiou \u2013 C. Bakirtzes C. Hadjichristodoulou (eds.), The Church of the Panagia tou Arakos, Nicosia 2018, pp. 89\u201396.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>The Bookseller\u2019s Parrot: A Fictional Afterword, in: A. Goldwyn \u2013 I. Nilsson (eds.), A Critical Guide to Medieval Greek Romance, Cambridge 2019, pp. 321\u2013339.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item {\"translatedWithWPMLTM\":\"1\"} -->\n<li>From Attempted Update to Communicative Code: Johannes Tzetzes and the Epilogue of his Theogony for the sebastokratorissa Eirene, in: A. K\u00fclzer (ed.), Herbert Hunger and the Vienna School of Byzantine Studies: Retrospective and Outlook, Vienna-Novisad 2019, pp. 271\u2013290.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Franz D\u00f6lger and the Hieratic Model of Byzantine Literature, Byzantinische Zeitschrift 112 (2019) 707\u2013780.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>A. Andreou \u2013 P. A. Agapitos, Of Masters and Servants: Hybrid Power in Theodore Laskaris\u2019 Response to Mouzalon and in the Tale of Livistros and Rodamne, Interfaces\u2014Journal of Medieval European Literatures 6 (2019) 96\u2013129.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item {\"translatedWithWPMLTM\":\"1\"} -->\n<li>From Document to Literary Work: Philological-Literary Notes on the New Edition of the Acts of Nicaenum II by Erich Lamberz, in: W. Brandes \u2013 A. HasseUngeheuer \u2013 H. Leppin (eds.), Councils and Canon Law in Late Antiquity and the Early Middle Ages: Aspects of Conciliar Decision-Making [Forschungen zur byzantinischen Rechtsgeschichte, N.F. 2], Boston-Berlin 2020, pp. 263\u2013278.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>The Insignificance of 1204 and 1453 for the History of Byzantine Literature, Medioevo Greco 20 (2020) 1\u201356.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Literature and Education in Nicaea and its Legacy: An Interpretive Synthesis, Medioevo Greco 21 (2021) 1\u201337.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Visually Demolished and Textually Reconstructed: Performing the Middle Ages in Contemporary Crime Fiction, in: L. James \u2013 O. Nicholson \u2013 R. Scott (eds.), After the Text: Byzantine Enquiries in Honour of Margaret Mullett [Birmingham Byzantine and Ottoman Studies, 32], London 2021, pp. 41\u201355.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Greek, in: M. Chinka \u2013 C. Young (eds.), Literary Beginnings in the European Middle Ages, Cambridge 2022, pp. 255\u2013275.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>The Politics and Practices of Commentary in Komnenian Byzantium, in: B. van den Berg \u2013 D. Manolova \u2013 P. Marciniak (eds), Byzantine Commentaries on Ancient Greek Texts: 12th \u2013 15th Centuries, Cambridge 2022, pp. 41\u201360.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>\u2018Middle-Class\u2019 Ideology of Education and Language, and the \u2018Bookish\u2019 Identity of John Tzetzes, in: I. Stouraitis (ed.), Ideologies and Identities in the Medieval East Roman World [Edinburgh Byzantine Studies, 2], Edinburgh 2022, 146\u2013163.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Afterword: Forging Textual Realities, or How to Write a \u2018Byzantine Mystery Story\u2019, in: M. Kulhankova \u2013 P. Marciniak (eds.), Byzantium in the Popular Imagination: The Modern reception of the Byzantine Empire, London\u2013New York 2023, 264\u2013271.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item {\"translatedWithWPMLTM\":\"1\"} -->\n<li>The Periodization of Byzantine Literature: From a Historical to a Literary Model, in: A. Riehle \u2013 I. Grimm-Stadelmann (eds.), Anekdota Byzantina. Studies for Albrecht Berger on his 65th Birthday, Berlin\u2013Boston 2023, 1\u201320. <\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>\u2018These Devices are the Writer\u2019s Own Technique\u2019: Eustathios of Thessalonike and the Redefinition of Rhetorical Genres, in: L. Silvano \u2013 A. M. Taragna \u2013 P. Varalda (eds.), Studies in Honour of Enrico Maltese, Ghent 2023, 63\u201397.<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item {\"translatedWithWPMLTM\":\"1\"} -->\n<li>\u201cThe Force of Discourses:\u201d Literary Production in the Komnenian Era, in: B. van den Berg \u2013 N. Zagklas (eds.), Byzantine Poetry in the Long Twelfth Century, Cambridge \u2014 forthcoming. <\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>The Poetics of Exoticism: The \u2018Greek\u2019 Clig\u00e8s and the \u2018Latin\u2019 Livistros (in preparation).<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Byzantine Literature Within a Medieval Eurasian Literary Supersystem: Amorous Tales and the Practice of Narrative Fiction (in preparation).<\/li>\n<!-- \/wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Authorial Self-portraits in Komnenian Byzantium: Neophytos the Recluse and his Catechetichal Visions (in preparation).<\/li>\n<!-- \/wp:list-item --><\/ul>\n<!-- \/wp:list --><!-- wp:spacer {\"height\":\"75px\"} -->\n<div style=\"height:75px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<!-- \/wp:spacer --><!-- wp:jgu\/section {\"color\": \"light\"} -->\n<div class=\"jgu-bgsection bg bg-light\"><div class=\"content padding-medium\"><!-- wp:jgu\/anchorpoint {\"title\":\"Research projects and research focus\",\"slug\":\"research-projects-and-focus\"} \/-->\n\n<!-- wp:jgu\/heading {\"index\":\"Prof. Dr. Panagiotis Agapitos\",\"tags\":{\"htmlTag\":\"h2\",\"classTag\":\"\",\"tag\":\"h2\"},\"heading\":\"Research projects and research focus\"} \/-->\n\n<!-- wp:spacer {\"height\":\"52px\"} -->\n<div style=\"height:52px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<!-- \/wp:spacer -->\n\n<!-- wp:jgu\/heading {\"index\":\"Project\",\"tags\":{\"htmlTag\":\"h2\",\"classTag\":\"h3\",\"tag\":\"h2.h3\"},\"heading\":\"Byzantine Literary History in a Eurasian Context\"} \/-->\n\n<!-- wp:jgu\/image {\"align\":\"left\",\"image\":{\"url\":null,\"id\":11246},\"width\":593} \/-->\n\n<!-- wp:paragraph -->\n<p>The Gutenberg Project has as its main goal to present a new narrative account of literary production in Byzantium from the mid-11th century to the end of the 15th century, but at the same time to establish the methodological prerequisites to also present textual production from the 4th to the mid-11th century.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"translatedWithWPMLTM\":\"1\"} -->\n<p>Often Byzantine literature is defined as \u201cthe textual production written in Greek between the 4th and the 15th centuries.\u201d It is not so simple, however, because (1.) within the Byzantine Empire, texts were written in other languages, but Greek texts were also written outside the Empire; (2.) Byzantine texts were separated by older scholarship into an archaizing and a vernacular group according to the supposed linguistic idiom in which they were written; (3.) Byzantine texts were divided according to their subject matter into secular, religious, and scientific writing and were also treated separately; (4.) not all scholars agree that the Byzantine Empire began in the early 4th century, since for several decades Late Antiquity has claimed \u201cEarly Byzantium\u201d as a new historical period; (5.) the so-called vernacular texts from the 12th to the 15th centuries were indiscriminately assigned to Modern Greek literature. <\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:jgu\/image {\"align\":\"right\",\"image\":{\"url\":null,\"id\":11249},\"width\":440} \/-->\n\n<!-- wp:paragraph -->\n<p>Such divisions, however, do not correspond to actual practice, for example, when authors from quite different social backgrounds composed secular, religious, and scientific texts in both archaic and vernacular idioms; when one finds several of these groups united in one and the same manuscript; when scholars and teachers of rhetoric from different periods regard, on the one hand, \u201clate antique\u201d texts as a central part of their literary heritage and, on the other, also compose vernacular texts.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"translatedWithWPMLTM\":\"1\"} -->\n<p>Accordingly, the project will develop an innovative \u201cliterary periodization model\u201d to holistically interpret Byzantine textual production. This approach will be supported by a selection of literary theories (post-structuralist narratology, semiotics, aesthetics, reception and performance theory) and historical approaches (contextualization, socio-economic history, gender and postcolonial studies). In this way, Byzantine texts are read within a \u201chorizontal\u201d axis of open interpretation (i.e., they are seen as dynamic carriers of meaning within their specific social, cultural, and political environments) rather than understood exclusively within a \u201cvertical\u201d axis of closed taxonomy (i.e., they are not seen as examples of fixed genres in an ahistorical sequence of abstract variations). In this way, the boundaries imposed by older research will be removed and Byzantine textual production will be understood as part of a broad \u201cmedieval Eurasian literary system,\u201d wherein texts written in Greek will be read in their interrelationships with texts written in Latin, Hebrew, Syriac, Arabic, and Old Slavonic. In this way, it will be possible to bring Byzantine literature more into the center of international medievalist research and literary studies.    <\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"translatedWithWPMLTM\":\"1\"} -->\n<p>Within the project, three networking activities will be organized for the LWC: an international symposium on \u201cByzantine literary history and theory: the Eurasian context,\u201d an international workshop on \u201cGenre, taxonomy and the materiality of Byzantine Texts,\u201d and a series of four guest lectures on specific topics, such as the place of scientific literature within a Byzantine literary history, or the problematic division between religious and secular writings. In this way, the research program of the LWC is substantially complemented by the presence of philology and literary history. <\/p>\n<!-- \/wp:paragraph --><\/div><\/div>\n<!-- \/wp:jgu\/section --><!-- wp:spacer -->\n<div style=\"height:90px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<!-- \/wp:spacer -->","_links":{"self":[{"href":"https:\/\/byzantinistik.geschichte.uni-mainz.de\/en\/wp-json\/wp\/v2\/pages\/12682","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/byzantinistik.geschichte.uni-mainz.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/byzantinistik.geschichte.uni-mainz.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/byzantinistik.geschichte.uni-mainz.de\/en\/wp-json\/wp\/v2\/users\/1149"}],"replies":[{"embeddable":true,"href":"https:\/\/byzantinistik.geschichte.uni-mainz.de\/en\/wp-json\/wp\/v2\/comments?post=12682"}],"version-history":[{"count":2,"href":"https:\/\/byzantinistik.geschichte.uni-mainz.de\/en\/wp-json\/wp\/v2\/pages\/12682\/revisions"}],"predecessor-version":[{"id":12694,"href":"https:\/\/byzantinistik.geschichte.uni-mainz.de\/en\/wp-json\/wp\/v2\/pages\/12682\/revisions\/12694"}],"wp:attachment":[{"href":"https:\/\/byzantinistik.geschichte.uni-mainz.de\/en\/wp-json\/wp\/v2\/media?parent=12682"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/byzantinistik.geschichte.uni-mainz.de\/en\/wp-json\/wp\/v2\/categories?post=12682"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/byzantinistik.geschichte.uni-mainz.de\/en\/wp-json\/wp\/v2\/tags?post=12682"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}